Kane Wilson

In a dystopian realm where consciousness is encased within neural implants, Logan, a solitary Decksdark, finds himself intertwined with an ethereal entity.

In a sleepless city hooked on engineered dreams, Lola enters a lucid simulation and falls for an artificial companion designed to fulfil her every need.

The Shape of Those Days is an experimental short film about impermanence, youth, and fluid identity. Shot across London, Tokyo, and Singapore, the film draws directly from a personal history of navigating different languages, relationships and geographies. Anchored by a contemporary Butoh performance by Yu Lou and a highly authored visual and sartorial language, the project relies on fragmented memory and movement to reflect on the transient relationships that shape us.

In a dystopian realm where consciousness is encased within neural implants, Logan, a solitary Decksdark, finds himself intertwined with an ethereal entity.

In a dystopian realm where consciousness is encased within neural implants, Logan, a solitary Decksdark, finds himself intertwined with an ethereal entity.

In a dystopian realm where consciousness is encased within neural implants, Logan, a solitary Decksdark, finds himself intertwined with an ethereal entity.

In a sleepless city hooked on engineered dreams, Lola enters a lucid simulation and falls for an artificial companion designed to fulfil her every need.

In a sleepless city hooked on engineered dreams, Lola enters a lucid simulation and falls for an artificial companion designed to fulfil her every need.

In a sleepless city hooked on engineered dreams, Lola enters a lucid simulation and falls for an artificial companion designed to fulfil her every need.

The Shape of Those Days is an experimental short film about impermanence, youth, and fluid identity. Shot across London, Tokyo, and Singapore, the film draws directly from a personal history of navigating different languages, relationships and geographies. Anchored by a contemporary Butoh performance by Yu Lou and a highly authored visual and sartorial language, the project relies on fragmented memory and movement to reflect on the transient relationships that shape us.