Tiago Tereza

The narrative of "Rosa Neon" is built between the documentary weaving of two audios, between one and the other, a delicate connection carefully crafted to tell us the story of a relationship falling apart. More than that, the short film plunges into the daily life of a couple to tell the story behind the non-history of a body full of silences: she is a transvestite; he is a cis: there is a concrete wall between them where it is impossible to see beyond. And this Thing that separates the bodies; this Thing for which the character asks help - for this there is no name.

“I Can't Do Nothing” deals with the relationship between Erika and her mother, who returns to her daughter's house in the interior of Minas Gerais in a region known for intense mining. Ill, the mother suffers from a terminal illness. The days pass, relationships become more difficult, and the cinema operates. It is a labyrinthine reading of the relationship between mother and daughter, forming a kind of mobile mystery, the only way out there to look where nothing can be seen: death.

The narrative of "Rosa Neon" is built between the documentary weaving of two audios, between one and the other, a delicate connection carefully crafted to tell us the story of a relationship falling apart. More than that, the short film plunges into the daily life of a couple to tell the story behind the non-history of a body full of silences: she is a transvestite; he is a cis: there is a concrete wall between them where it is impossible to see beyond. And this Thing that separates the bodies; this Thing for which the character asks help - for this there is no name.

The narrative of "Rosa Neon" is built between the documentary weaving of two audios, between one and the other, a delicate connection carefully crafted to tell us the story of a relationship falling apart. More than that, the short film plunges into the daily life of a couple to tell the story behind the non-history of a body full of silences: she is a transvestite; he is a cis: there is a concrete wall between them where it is impossible to see beyond. And this Thing that separates the bodies; this Thing for which the character asks help - for this there is no name.

“I Can't Do Nothing” deals with the relationship between Erika and her mother, who returns to her daughter's house in the interior of Minas Gerais in a region known for intense mining. Ill, the mother suffers from a terminal illness. The days pass, relationships become more difficult, and the cinema operates. It is a labyrinthine reading of the relationship between mother and daughter, forming a kind of mobile mystery, the only way out there to look where nothing can be seen: death.