Jaime Chávarri

A young agent leaves everything behind to pose as a member of ETA, risking her life to uncover the terrorists' hideouts in the south of France.

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.

Pili is a middle-age woman. She owns a tabacco shop in a working class neighberhood of Madrid, and she is a gambler. Enraged by the prize of a slot machine, she will chase Ying and Li-Sung throughout the neighborhood. How far will she be willing to go?

No synopsis available yet.

The making of Iván Zulueta's film Arrebato (1979). Interviews with cast, crew, and producers.

A band of young musicians will do the impossible to boycott a song they didn't like that's supposed to represent Spain in a famous musical contest.

Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.

In 1972, the American film director Howard Hawks travelled to San Sebastian to preside over the jury of the Film Festival. Two young film buffs, Jesús Martínez León and José Luis Cuerda, came from Madrid in the hope of interviewing him. After thirty years of life and films we recover that unpublished interview.

After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

No synopsis available yet.

Francisco is a beggar who lives in the Almudena cemetery. One afternoon, while walking among the graves, he meets Julio, another peculiar beggar who claims to be a poet.

Arrebato (1980) is the great cult movie of today's Spanish cinema and Iván Zulueta, its director, an accursed filmmaker. Arrebato was the film that forecast the end of the movida, a dark and harrowing reel whose history and intra-history are intimately linked. Arrebato acts as a premonition of the director’s own life. Just like his actors, Zulueta will end up being brought down by drugs and the cinema and, like them, will also disappear.

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

Four part anthology horror film, with segments featuring witchcraft, ghosts, Frankenstein and his monster, and ancient Christians battling Celtic vampires.

They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.

A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.

Elena, a shy and unmarried girl, belonging to the upper middle class and somewhat marginalized from the general environment, embarks on a trip to the family farmhouse one morning, and when she returns to the city that same day, at night, she is forced to take a strange woman in her car.

No synopsis available yet.

Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.

Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.

No synopsis available yet.

The Galgo brothers are inseparable macho loners living in the heart of Andalucia at the turn of the century. One day Rafael comes home with Gracia, who is to be his servant and lover. They become trapped in a hell of their own making.

No synopsis available yet.

An erotic horror tale about a vixen vampiress seducing and killing women to appease her insatiable thirst for female blood.

During a long summer, the tranquility of a couple and their three children resting in a country house is altered with the arrival of the children's uncle, a character who exerts a curious influence on the boys and a morbid and strange attraction the wife. Twelve years after 'Los viajes escolares' (1973), his first commercial feature film, the Madrid director Jaime Chávarri returns to the same estate in the province of Segovia to shoot a new family story, about his own plot and script. Like its predecessor, 'The Golden River' contains a strong autobiographical charge and is full of personal resonances. But this new history of family ties is narrated from a perspective in which adultery manifests itself openly. Endowed with a slow narrative rhythm, the film presents an international cast headed by Ángela Molina, Bruno Ganz, Francesca Annis and Stefan Gubser. The film also has the presence of a very young Juan Diego Botto, in one of his first appearances on the big screen.

During a long summer, the tranquility of a couple and their three children resting in a country house is altered with the arrival of the children's uncle, a character who exerts a curious influence on the boys and a morbid and strange attraction the wife. Twelve years after 'Los viajes escolares' (1973), his first commercial feature film, the Madrid director Jaime Chávarri returns to the same estate in the province of Segovia to shoot a new family story, about his own plot and script. Like its predecessor, 'The Golden River' contains a strong autobiographical charge and is full of personal resonances. But this new history of family ties is narrated from a perspective in which adultery manifests itself openly. Endowed with a slow narrative rhythm, the film presents an international cast headed by Ángela Molina, Bruno Ganz, Francesca Annis and Stefan Gubser. The film also has the presence of a very young Juan Diego Botto, in one of his first appearances on the big screen.

The life of Camarón de la Isla, the legendary Spanish flamenco cantaor, from his beginning until his death; the relationships he struck up with his wife, la Chispa, and guitarists Paco de Lucía, Tomatito and Paco Cepero…

The life of Camarón de la Isla, the legendary Spanish flamenco cantaor, from his beginning until his death; the relationships he struck up with his wife, la Chispa, and guitarists Paco de Lucía, Tomatito and Paco Cepero…

Three students are sent by their families to Cadiz in 1965, his last chance to pass and become what is expected of them. The appearance of some dancers disrupts their commitments: boys lose the course and girls, their work. But together they learn to decide their future.

A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

A young woman, fan of a leading actor, sneaks into a film set and pretends to be the main actress.

A young woman, fan of a leading actor, sneaks into a film set and pretends to be the main actress.

A youngster recently arrived to Spain from Russia falls in love with his own cousin who is an astonishingly beautiful actress and, besides, much older than him.

A youngster recently arrived to Spain from Russia falls in love with his own cousin who is an astonishingly beautiful actress and, besides, much older than him.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

In Madrid, the family of Don Luis, his wife Dolores and their children, Manolita and Luisito, share the daily life of the Civil War with their maid and neighbours. Despite having failed his exams, Luisito wants his father to buy him a bicycle. However, the situation forces them to delay the purchase and the delay, like the war itself, is to last much longer than expected.

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.

A band of young musicians will do the impossible to boycott a song they didn't like that's supposed to represent Spain in a famous musical contest.

Persecuted by her controlling ex-husband, Rosa plots an escape

No synopsis available yet.

No synopsis available yet.

Since her earliest childhood, Blancanieves has lived with seven men who have cared for and protected her, but this has never been enough for her, because she wants to be a movie star, a dream that disturbs her guardians.

Since her earliest childhood, Blancanieves has lived with seven men who have cared for and protected her, but this has never been enough for her, because she wants to be a movie star, a dream that disturbs her guardians.