Elmaddin Aliyev

The film tells the story of two blind men who stand on the side of a road between oil wells and beg, and the conflict between them. The young blind man, who was born blind, sees the old blind man, who later lost his sight, as his rival. Each blind man represents a large crowd in himself.

White Blood centers on a nomadic family whose way of life has been destroyed and a wife's resourcefulness in seeking to realize her husbands dying wish. The message is that there is always hope.

Aziz has to prepare a concert for the New Year, but he has no idea what to do. He is engaged to Fira, but there is a problem: Fira tells Aziz, “If you don’t go to the district and meet my grandfather, I will not agree to marry you.” So Aziz is forced to travel to the district. On the way, he has a car accident, and when he opens his eyes, he is already in the village.

Yusif, who participated in the Second Karabakh War, makes video calls to his family members from the front line whenever he finds time. His parents, wife, and two children are eagerly awaiting his call. Yusif's last video call coincides with the time when his wife Gunay and two children are on the street.

In a house in the middle of an oil-rich area, a father does his best to keep his family from living in darkness.

After being displaced from their native homeland for thirty years, the elderly Sara sets out from Baku with her sister Hajar, heading back to their recently liberated village. Sara’s purpose is to visit the grave of her teenage son Ismayil, who was killed during the war. Hajar, however, is reluctant to confront the painful memories of the past. Throughout the journey, the sisters are forced to face long-hidden memories, losses, and betrayals. The trauma of captivity, along with the deep grief of losing a child, turns their relationship into a difficult emotional test.

The film tells the story of two blind men who stand on the side of a road between oil wells and beg, and the conflict between them. The young blind man, who was born blind, sees the old blind man, who later lost his sight, as his rival. Each blind man represents a large crowd in himself.

The film tells the story of two blind men who stand on the side of a road between oil wells and beg, and the conflict between them. The young blind man, who was born blind, sees the old blind man, who later lost his sight, as his rival. Each blind man represents a large crowd in himself.

The film tells the story of two blind men who stand on the side of a road between oil wells and beg, and the conflict between them. The young blind man, who was born blind, sees the old blind man, who later lost his sight, as his rival. Each blind man represents a large crowd in himself.

White Blood centers on a nomadic family whose way of life has been destroyed and a wife's resourcefulness in seeking to realize her husbands dying wish. The message is that there is always hope.

White Blood centers on a nomadic family whose way of life has been destroyed and a wife's resourcefulness in seeking to realize her husbands dying wish. The message is that there is always hope.

Aziz has to prepare a concert for the New Year, but he has no idea what to do. He is engaged to Fira, but there is a problem: Fira tells Aziz, “If you don’t go to the district and meet my grandfather, I will not agree to marry you.” So Aziz is forced to travel to the district. On the way, he has a car accident, and when he opens his eyes, he is already in the village.

Yusif, who participated in the Second Karabakh War, makes video calls to his family members from the front line whenever he finds time. His parents, wife, and two children are eagerly awaiting his call. Yusif's last video call coincides with the time when his wife Gunay and two children are on the street.

In a house in the middle of an oil-rich area, a father does his best to keep his family from living in darkness.

In a house in the middle of an oil-rich area, a father does his best to keep his family from living in darkness.

After being displaced from their native homeland for thirty years, the elderly Sara sets out from Baku with her sister Hajar, heading back to their recently liberated village. Sara’s purpose is to visit the grave of her teenage son Ismayil, who was killed during the war. Hajar, however, is reluctant to confront the painful memories of the past. Throughout the journey, the sisters are forced to face long-hidden memories, losses, and betrayals. The trauma of captivity, along with the deep grief of losing a child, turns their relationship into a difficult emotional test.