Katharina König-Preuss

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Right-wing extremist acts of violence are increasing in Germany. The documentary traces how extremists have developed plans of overthrow and have carried out terrorist plots as well as assaults on Jews or migrants and also how far-right extremists infiltrated security services, which are actually there to protect the population and the state from such attacks. This raises the question of what the German authorities are doing to confront the growing problem and what options they have for action to counter the rising right-wing extremism in Germany. FRONTLINE journalist Evan Williams goes on a journey through Germany, meets the people involved and investigates these burning questions.

Lothar König is an original. The long-term youth pastor from Jena doesn’t fit into any system. In the GDR he was under state surveillance, after reunification he was one of the most tireless warning voices against the growing right-wing radicalism. To this day, he takes to the barricades against the extreme right, often on the frontline. Nevertheless, this film portrait by his son Tilman is not an homage but a critical tribute to an outspoken character forced by retirement to re-invent himself.

A volunteer soldier in 1914 and witness to the rise of Nazism in 1933, the German painter Otto Dix depicted the ravages and horrors of war. With unsparing lucidity, he portrayed scenes that are disturbing and shocking. Art was his weapon. The master who said, “I need courage to paint ugliness,” rendered the chaos around him in a manner both brutally honest and humane.