Yiannis Lafis

The unemployed Dimitris lives with his unemployed mother. Without thinking twice, he bets the rent on a football match: In tonight's PAOK-Panathinaikos, he bets on PAOK winning on penalties!

A lugubrious man hired to do a crime, now awaits for his last, brief contact with the mobsters, to pick-up his money. A very short film which tries to re-imagine film gris and to capture the sub-genre's "greater psychological and social realism".

Two young men have undertaken a task to improve the quality of their relationship with the SONYA6400 camera. They are in her office and once they hand in the work, they try to disable it. She not only refuses to hang up, but in retaliation prevents them from communicating. They call the camera operator to help them. But she also fails to disable it. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

The stages of Yannis Lafis's attempt to make a documentary about some people he considered remarkable, the reason he was interested in them, and ultimately the reason he was forced to give up.

The unemployed Dimitris lives with his unemployed mother. Without thinking twice, he bets the rent on a football match: In tonight's PAOK-Panathinaikos, he bets on PAOK winning on penalties!

The unemployed Dimitris lives with his unemployed mother. Without thinking twice, he bets the rent on a football match: In tonight's PAOK-Panathinaikos, he bets on PAOK winning on penalties!

The unemployed Dimitris lives with his unemployed mother. Without thinking twice, he bets the rent on a football match: In tonight's PAOK-Panathinaikos, he bets on PAOK winning on penalties!

Two young men have undertaken a task to improve the quality of their relationship with the SONYA6400 camera. They are in her office and once they hand in the work, they try to disable it. She not only refuses to hang up, but in retaliation prevents them from communicating. They call the camera operator to help them. But she also fails to disable it. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

Two young men have undertaken a task to improve the quality of their relationship with the SONYA6400 camera. They are in her office and once they hand in the work, they try to disable it. She not only refuses to hang up, but in retaliation prevents them from communicating. They call the camera operator to help them. But she also fails to disable it. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

Two young men have undertaken a task to improve the quality of their relationship with the SONYA6400 camera. They are in her office and once they hand in the work, they try to disable it. She not only refuses to hang up, but in retaliation prevents them from communicating. They call the camera operator to help them. But she also fails to disable it. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

Two young men have undertaken a task to improve the quality of their relationship with the SONYA6400 camera. They are in her office and once they hand in the work, they try to disable it. She not only refuses to hang up, but in retaliation prevents them from communicating. They call the camera operator to help them. But she also fails to disable it. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.