Marta Jalowska

A busy attorney, worried that his anorexic daughter Olga, who is still grieving her recently deceased mother, might try to harm herself, sends her to see a psychiatrist who's dealing with her own loss in an unusual way.

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.