Samira Adgezalova

The storyline of the series is inspired by the events of 1994 in Jelgava, when 89 prisoners escaped from Pārlielupe Prison, tens of thousands of people were involved in their search, and mass arrests continued for ten years. dramas of mutual relations, a massive and enigmatic escape is organized, in parallel with the flourishing of the love of the main character and the daughter of the head of the prison and the hopes for a new, beautiful life.

Forgotten and, perhaps, unheard Latvian myths and ghost stories.

A police officer and his family arrive at their countryside home in a grim mood and unexpectedly meet Santa Claus. The children drag Santa into their scheme to save the family, while their parents start preparing for the celebration, unaware that the friendly Santa is in fact an escaped prisoner.

Alice von Trota returns to her father’s manor in Latvia in 1919 to sell it and start a new life. She meets the hostile resistance of the local workers and discovers she has been lured into a carefully tailored trap set by a demonic lawyer, a decadent underground organisation and its necrophile leader. While escaping the clutches of her “helpers”, she meets some silent-cinema enthusiasts and learns to use the cinematograph as a tool for healing and self-discovery, as a weapon against her enemies and as a way to create a masterpiece.

The storyline of the series is inspired by the events of 1994 in Jelgava, when 89 prisoners escaped from Pārlielupe Prison, tens of thousands of people were involved in their search, and mass arrests continued for ten years. dramas of mutual relations, a massive and enigmatic escape is organized, in parallel with the flourishing of the love of the main character and the daughter of the head of the prison and the hopes for a new, beautiful life.

Forgotten and, perhaps, unheard Latvian myths and ghost stories.