TAKAHIRO

In a time where fraud is an imminent threat, societal issues give rise to a slew of elaborate scams. Kurosaki is a man who lost his family to a "white swindler", which is a professional swindler who scams people out of their money. In order to exact revenge, Kurosaki becomes a "black swindler", a swindler who tricks other swindlers. He swears to scam every white swindler in the world and takes on foe after foe, but can he find his ultimate enemy who robbed him of his family? This riveting revenge drama exposes the very emotions that scams exploit.

Promoted to lead anchor of a struggling news program, a journalist pushes the boundaries to investigate and expose truths others want buried.

Kento Nakajima's first solo arena concert performances, held at the Ariake Arena from January 17〜19 of 2025, in promotion of his major solo debut with the album『 N / bias 』. The tour kicked off the following April with this recording announced on the first date, the 17th, & a July 9th release, eight days before the final batch of Shibuya concerts.

The final of Fujii Kaze's "HELP EVER ARENA TOUR" at Yoyogi National Gymnasium on November 28, 2021. Includes a documentary "HEAT".

In a time where fraud is an imminent threat, societal issues give rise to a slew of elaborate scams. Kurosaki is a man who lost his family to a "white swindler", which is a professional swindler who scams people out of their money. In order to exact revenge, Kurosaki becomes a "black swindler", a swindler who tricks other swindlers. He swears to scam every white swindler in the world and takes on foe after foe, but can he find his ultimate enemy who robbed him of his family? This riveting revenge drama exposes the very emotions that scams exploit.

Promoted to lead anchor of a struggling news program, a journalist pushes the boundaries to investigate and expose truths others want buried.

Kento Nakajima's first solo arena concert performances, held at the Ariake Arena from January 17〜19 of 2025, in promotion of his major solo debut with the album『 N / bias 』. The tour kicked off the following April with this recording announced on the first date, the 17th, & a July 9th release, eight days before the final batch of Shibuya concerts.