Pedro Almeida

We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the Opera. A movement and a moment of transition, the Phantom fades away with each opera. It disappears and then reemerges in another, and another, and another, and yet another opera.

A statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of the Night. In the urban night, she encounters mysterious figures that disappear like shadows. Freely inspired by characters from Mozart's opera, The Magic Flute.

Father Fernando, a tormented theology professor, encounters images of past and forbidden desires as he follows an enigmatic woman in black. Based on the Symbolist universe of Cruz e Sousa.

A British Picture follows Walter, an eccentric foreigner adrift in London with his pet skull Galathea, hopelessly in love with his landlady Charlotte. Part travelogue, part experimental satire of English cinema clichés, the film frames the city as a canvas where images break free of their restraints.

A statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of the Night. In the urban night, she encounters mysterious figures that disappear like shadows. Freely inspired by characters from Mozart's opera, The Magic Flute.

A statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of the Night. In the urban night, she encounters mysterious figures that disappear like shadows. Freely inspired by characters from Mozart's opera, The Magic Flute.

Father Fernando, a tormented theology professor, encounters images of past and forbidden desires as he follows an enigmatic woman in black. Based on the Symbolist universe of Cruz e Sousa.

Father Fernando, a tormented theology professor, encounters images of past and forbidden desires as he follows an enigmatic woman in black. Based on the Symbolist universe of Cruz e Sousa.

A British Picture follows Walter, an eccentric foreigner adrift in London with his pet skull Galathea, hopelessly in love with his landlady Charlotte. Part travelogue, part experimental satire of English cinema clichés, the film frames the city as a canvas where images break free of their restraints.

A British Picture follows Walter, an eccentric foreigner adrift in London with his pet skull Galathea, hopelessly in love with his landlady Charlotte. Part travelogue, part experimental satire of English cinema clichés, the film frames the city as a canvas where images break free of their restraints.

A British Picture follows Walter, an eccentric foreigner adrift in London with his pet skull Galathea, hopelessly in love with his landlady Charlotte. Part travelogue, part experimental satire of English cinema clichés, the film frames the city as a canvas where images break free of their restraints.