Simon Brint

Alex is a disgruntled waiter at a snobby exclusive restaurant who falls on hard times. Forced to deal with the contempt and disgust of the upper class, Alex & cohorts attempt to go on a rampage. Meanwhile, General Karprov and Spider plot to involve the inept anarchists into their plans to derail the prime-minister-to-be's campaign.

Whilst delivering toilet rolls to a recording studio, small-time crook Keith pockets a demo tape by the newly disbanded group Toy Department, which he takes to a promoter, Brian. Together they have a chart hit with the 'mystery' group but complications arise when Brian wants a live tour.

When the lead star of 'The Gourmet Detective' mystery show is mysteriously bumped off. A bunch of various detectives from television shows from the seventies are teamed up with a television detective of the nineties to solve the crime.

In April 1986, inspired by the previous summer's bombastic Live Aid event and the success of Amnesty's first four Secret Policeman's Ball shows, the UK's alternative comedy scene (and a few of the old guard) put on a fund-raising comedy revue at The Shaftesbury Theatre, London. The show's took place on 4-6 April, a recording was broadcast by the BBC on 25 April.

A comedy special starring Robbie Coltrane as a variety of different characters.

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

Described by Bono as 'the Noel Coward of our generation’, the singer and songwriter Kirsty MacColl would have turned 65 this year had her life not been tragically cut short in December 2000. Signed at the age of just 19 after being the backing singer for a failed punk band, Kirsty went on to write and record songs that spanned genres, including rockabilly, pop and South American. She had hits like A New England and Days and sang a key part in one of the nation’s favourite Christmas songs, Fairytale of New York. Respected by those who worked alongside her, including Billy Bragg, Johnny Marr, Jools Holland and many others, she has left a legacy that is still valued today. This programme brings together performances that highlight the wit and intelligence of this unique performer

After the criticisms of the 1987 show’s disproportionate focus on music - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a primary focus on comedy. Pat Duffy was dropped from organising any further benefit events for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.

Convicts Mick and Gary are being escorted to the dentist when their prison van has an accident and they wind up at a remote farmhouse occupied by Fiona and Susie, two sex-starved sisters who have been waiting to have babies with the right men, whilst these two may not be the right ones, they are certainly available.

A week in the life of Redditch investigative reporter Kevin Turvey. As you would expect, not a lot happens!

Dawn French and Jennifer Saunders perform a live comedy show in London's West End at the world famous Shaftesbury Theatre, in front of a hugely appreciative sell-out audience. Over an hour of hilarious sketches and gags, with support provided by Raw Sex (Simon Brint and Rowland Rivron as Ken and Duane Bishop).