Petr Vančura

Three American college students studying abroad are lured to a Slovakian hostel, and discover the grim reality behind it.

Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.

No synopsis available yet.

Alone, surrounded by deep forests, little boy Vašek sees something strange in the sky. His biological mother Iveta’s unexpected request catches his adoptive parents Jan and Pavel by surprise. Can the adults understand the young child’s emotions, or will Vašek have to face his fears all by himself? The dense film tells a story in an almost apocalyptic tone about the destructive power of fear and the painful path to mutual closeness.

Maruska is a blind girl and student at the Conservatory of Music who dreams of love and having a family despite her blindness. Her dream guy has curly blonde hair and blue eyes but she ends up falling in love with the dark eyed, swarthy Marek. Maruska lives with her overly protective grandfather whom is preocupied with his long-lost love. Maruska’s neighbor and best friend is constantly struggling with his headstrong mother as she refuses to accept that her son is gay. She blames everyone else - even her husband - for her son's "deviation." The fate of all main characters is unexpectedly intertwined and told through humorous and touching situations laced with subtle irony and hyperbole. Just as in life, with its funny situations and difficult tests, unexpected revelations and surprising twists, all characters will experience times when they behave blindly and forget to listen to their hearts.

Anna and Lizzie share a flat with George - a tax consultant who thinks he is a dog. George supports them and does all he can to keep them satisfied. He agrees to their strict rules: at home, he may only walk on all fours, isn’t allowed to speak, must lick their feet and obey every order. The girls begin abusing their power, because George lets them. They believe he enjoys the torture, so they keep on degrading him. But in the end, George’s soul revolts – the man within him awakes, and seeks freedom and cruel revenge.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

Human kindness and purity in a corrupt world will never go out of style. This is proven by Fyodor Dostoyevsky's more than 150-year-old story "The Idiot," which continues to inspire new adaptations and resonates with contemporary audiences thanks to its timelessness.

In ancient times, our land was ruled by pagan gods and goddesses. But what happens when they start getting involved in people's lives and vice versa? Will Morena, the goddess of winter, win, or will she be defeated by the goddesses of spring, summer and autumn?

No synopsis available yet.

A kidnapped bride. A distraught hero. Odysseys through surreal worlds. Menandros and Thaïs are freshly married, but the wedding day ends bloodily. Thaïs is abducted by pirates. Searching for her, the bridegroom becomes a bloodthirsty monster, his horse grows wings, a witch promises him to another woman, King Xerxes unmans him, but everything comes to an happy end. Or does it?

King Jaroslav and Queen Anna rule over the kingdom of humans. At first glance, it is clear that they do not elevate themselves above others; their children play normally with others, and the royal couple has a good relationship with the family of the stable boy Petr. The neighboring Forest Land is a place where laws that should not be broken reign supreme. Its ruler remains mysteriously in the background, and people can only meet the land's administrator, Pavučinec. King Jaroslav is punished for breaking a long-standing ban and must balance his freedom with a gift for Pavučinec. When he finds out that he would have to give up his son, he tries to save him. But something for something—will Pavučinec choose his sacrifice after all?