Directing
Barbara Kusenberg
Known for
Directing
Credits
3 titles
Known for
Portrait of Korean artist Eun Nim Ro (paintings, at work, interviews, "poetic actions").
Meine Flügel sind meine Last
1989
Hamburg, May 1945, English troops occupy the city. The gates of the concentration camps open. The Germans speak of collapse and take care of everyday life. Only a few feel liberated and think of a new beginning. At the end there is a poem by Ingeborg Bachmann: We'll end the rut, otherwise the end will be spoiled.
Sonst ist auch das Ende verdorben
1989
Satire about German front gardens: A commentary on the coexistence of many well-behaved German citizens, regulated by house rules and assembly resolutions, with special consideration given to their garden "culture." How characteristics such as demarcation, control, narrow-mindedness, and conformity are reflected in the design of gardens.
Stiefmütterchens wahres Gesicht
1986
Behind the camera
Portrait of Korean artist Eun Nim Ro (paintings, at work, interviews, "poetic actions").
Meine Flügel sind meine Last
1989
Hamburg, May 1945, English troops occupy the city. The gates of the concentration camps open. The Germans speak of collapse and take care of everyday life. Only a few feel liberated and think of a new beginning. At the end there is a poem by Ingeborg Bachmann: We'll end the rut, otherwise the end will be spoiled.
Sonst ist auch das Ende verdorben
1989
Satire about German front gardens: A commentary on the coexistence of many well-behaved German citizens, regulated by house rules and assembly resolutions, with special consideration given to their garden "culture." How characteristics such as demarcation, control, narrow-mindedness, and conformity are reflected in the design of gardens.
Stiefmütterchens wahres Gesicht
1986
