Henry Lynn

Reunited after a year apart, a couple is torn apart by their forbidden love.

Celia Adler, doyenne of the Yiddish stage, gives a haunting performance as a new immigrant forced to give up her son. Obsessed with the thought of reuniting with him, she spends the next 25 years searching, pining, and bewailing her loss.

Mothers of Today features the first motion picture performance of radio star Esther Field, best known on the airwaves of the 1930s as the 'Yiddishe Mama.' The film exemplifies the Yiddish film genre of shund, a brand of popular entertainment which appealed to working-class Jewish-American immigrant audiences with broadly-drawn, sentimental stories that reflected the daily life and culture of a distinctively American Yiddish community. While the shund films were invariably low-budget (and low-brow) affairs, these humble productions formed an important part of life in the United States for their audience.

A wife returns home after having been shipwrecked for several years and finds that her husband has remarried, and his new wife is a lazy, gold-digging tramp.

Reunited after a year apart, a couple is torn apart by their forbidden love.

Reunited after a year apart, a couple is torn apart by their forbidden love.

Reunited after a year apart, a couple is torn apart by their forbidden love.

Celia Adler, doyenne of the Yiddish stage, gives a haunting performance as a new immigrant forced to give up her son. Obsessed with the thought of reuniting with him, she spends the next 25 years searching, pining, and bewailing her loss.

Celia Adler, doyenne of the Yiddish stage, gives a haunting performance as a new immigrant forced to give up her son. Obsessed with the thought of reuniting with him, she spends the next 25 years searching, pining, and bewailing her loss.

Mothers of Today features the first motion picture performance of radio star Esther Field, best known on the airwaves of the 1930s as the 'Yiddishe Mama.' The film exemplifies the Yiddish film genre of shund, a brand of popular entertainment which appealed to working-class Jewish-American immigrant audiences with broadly-drawn, sentimental stories that reflected the daily life and culture of a distinctively American Yiddish community. While the shund films were invariably low-budget (and low-brow) affairs, these humble productions formed an important part of life in the United States for their audience.

Mothers of Today features the first motion picture performance of radio star Esther Field, best known on the airwaves of the 1930s as the 'Yiddishe Mama.' The film exemplifies the Yiddish film genre of shund, a brand of popular entertainment which appealed to working-class Jewish-American immigrant audiences with broadly-drawn, sentimental stories that reflected the daily life and culture of a distinctively American Yiddish community. While the shund films were invariably low-budget (and low-brow) affairs, these humble productions formed an important part of life in the United States for their audience.

A wife returns home after having been shipwrecked for several years and finds that her husband has remarried, and his new wife is a lazy, gold-digging tramp.

A wife returns home after having been shipwrecked for several years and finds that her husband has remarried, and his new wife is a lazy, gold-digging tramp.