Gregory Phillips

A struggling actress becomes entangled in an abusive relationship with her idol at a cult-like New York theatre company.

Big Time, the visual counterpart to Angel Olsen's album of the same name, is the story of light versus shadow told through a non-linear surrealist dreamspace that poses one central dilemma. ‘What lengths must one go through to let go of the past in order to step out of the darkness and accept one’s true self?’ It’s a story that targets deep rooted complexities such as how our unconscious deals with repressed sexual identity, the hardships of letting go of our past selves in order to step into self actualization, and the guilt we hold when dealing with loss.