Ian Joseph Greene

Detective Stanley Sphinctum once again battling a horrifying pig in a race against time for the fabled tome, the Libro Vetiti Malum.

Tenth exploitation anthology from the twisted minds of established and up and coming directors from across the globe.

A minimalist avant-garde performance film that explores the boundary between the mundane and the surreal. The film subverts everyday traffic iconography into a meditation on isolation, obsession, and the open road.

This short film uses a destructive, frame-by-frame editing pipeline to glitch and reshape a spoken testimony into a reflection of the filmmaker's own anxieties. Through generative fill, frame-interpolation, and manipulative editing, the narrative is humorously transformed into a disturbing commentary on the pastimes of the elite.

A lonely artist creates a friend.

Hellswine is a horror claymation.

Detective Stanley Sphinctum once again battling a horrifying pig in a race against time for the fabled tome, the Libro Vetiti Malum.

Detective Stanley Sphinctum once again battling a horrifying pig in a race against time for the fabled tome, the Libro Vetiti Malum.

Tenth exploitation anthology from the twisted minds of established and up and coming directors from across the globe.

A minimalist avant-garde performance film that explores the boundary between the mundane and the surreal. The film subverts everyday traffic iconography into a meditation on isolation, obsession, and the open road.

This short film uses a destructive, frame-by-frame editing pipeline to glitch and reshape a spoken testimony into a reflection of the filmmaker's own anxieties. Through generative fill, frame-interpolation, and manipulative editing, the narrative is humorously transformed into a disturbing commentary on the pastimes of the elite.

A lonely artist creates a friend.

Hellswine is a horror claymation.