Directing

Hans-Joachim Kasprzik

Born 1928-08-14 · Bytom, Poland

Hans-Joachim Kasprzik was a German film and television director and screenwriter, recognized for his work with DEFA and Deutscher Fernsehfunk in East Germany. He began his career in the 1950s as an assistant director, collaborating with notable filmmakers such as Kurt Maetzig and Konrad Wolf. Kasprzik's directorial works include Hände hoch oder ich schieße (1966), Gewissen in Aufruhr (1961), and Wolf unter Wölfen (1964). His films often explored social and political themes, reflecting the complexities of East German society. Kasprzik passed away in Berlin in 1997.

Acting credits

Behind the camera

Bahnwärter Thiel poster
3.5

The film tells the tragic fate of railroad guard Thiel at the end of the 19th century. Thiel, who spends his days in the dull, monotonous fulfillment of his duties, has lost his gentle, quiet wife Minna. He remarries out of concern for his young son Tobias. His second wife Lene, with whom he also has a child, is superior to him in vitality and has a rough passion. He discovers that his child from his first marriage is being discriminated against and tormented by her - Thiel withdraws more and more into himself and becomes lonely. When Tobias is killed in an accident, he blames Lene, and disaster is inevitable...

Bahnwärter Thiel

1982

Bahnwärter Thiel poster
3.5

The film tells the tragic fate of railroad guard Thiel at the end of the 19th century. Thiel, who spends his days in the dull, monotonous fulfillment of his duties, has lost his gentle, quiet wife Minna. He remarries out of concern for his young son Tobias. His second wife Lene, with whom he also has a child, is superior to him in vitality and has a rough passion. He discovers that his child from his first marriage is being discriminated against and tormented by her - Thiel withdraws more and more into himself and becomes lonely. When Tobias is killed in an accident, he blames Lene, and disaster is inevitable...

Bahnwärter Thiel

1982

Die letzte Chance poster
10.0

It is a fateful moment: during one of his concerts, Jewish pianist Klaus Seiser discovers Gestapo officer Dr. Becker in the audience. He had imprisoned and harassed the young Seiser in 1943 because of a leaflet. Although the musician had managed to escape from prison at the time, he was caught at the Swiss border and Becker had him sent to Dachau concentration camp. Now, years after the end of the Nazi regime, Seiser denounces the Gestapo man and hopes for justice.

Die letzte Chance

1962

Die letzte Chance poster
10.0

It is a fateful moment: during one of his concerts, Jewish pianist Klaus Seiser discovers Gestapo officer Dr. Becker in the audience. He had imprisoned and harassed the young Seiser in 1943 because of a leaflet. Although the musician had managed to escape from prison at the time, he was caught at the Swiss border and Becker had him sent to Dachau concentration camp. Now, years after the end of the Nazi regime, Seiser denounces the Gestapo man and hopes for justice.

Die letzte Chance

1962

Hände hoch oder ich schieße poster
6.8

Small town policeman Holms suffers from a rather unusual problem: Because of the low crime rate, there is simply not enough to do for him. Deadly bored, he sinks into the depths of depression and requests the help of a psychiatrist. But his imagination is far more effective: In his dreams, he chases gangsters in London. Finally, some small-time crooks find a way to help "their" policeman out of his emotional misery: They steal a memorial from the market square and thus help Holms to a spectacular case.

Hände hoch oder ich schieße

1966

Hände hoch oder ich schieße poster
6.8

Small town policeman Holms suffers from a rather unusual problem: Because of the low crime rate, there is simply not enough to do for him. Deadly bored, he sinks into the depths of depression and requests the help of a psychiatrist. But his imagination is far more effective: In his dreams, he chases gangsters in London. Finally, some small-time crooks find a way to help "their" policeman out of his emotional misery: They steal a memorial from the market square and thus help Holms to a spectacular case.

Hände hoch oder ich schieße

1966

Gerichtet bei Nacht poster
7.0

Vienna in March 1945: seven people - three women, three men and a child - are spilled in a basement after a bomb attack. First, the emergency situation welds people together as you depend on each other. But through the question of who is responsible for this misfortune, it comes to hatred and enmity. A deserted soldier shoots a physicist convinced by the ideas of fascism when he wants to blow up the cellar...

Gerichtet bei Nacht

1960