Boris Isaković

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

Mara, a successful businesswoman and single mother, is heartbroken after her son Nemanja’s untimely death. She becomes emotionally detached, refusing to communicate with friends and family. However, when she meets Milan, Nemanja’s close friend, she finds solace and comfort in their relationship.

Ona lives peacefully with her teenage son in a quiet village of the Pyrenees where she works as a gardener, although her big dream is to pilot a tourist plane. One day, everything changes for Ona when some foreigners, a group of henchmen, arrive in the village and bring to light certain dark secrets of her life which she had forgotten about. She will then be compelled to face those secrets from the past once and for all.

Nikola’s children are taken away from him after social services decide that he is too poor to provide them with a decent living environment. He sets off on foot to lodge a complaint in Belgrade.

After ten years in Germany, Armin returns to Bosnia. He just got married and wants to surprise his father, but he is not home. Neighbours say that he has been arrested, nobody knows why. The papers say that he is a suspect for the war crime back in the 90s. Armin wants to learn the truth and the neighbourhood to celebrate May Labor Day.

In a dystopian future, Matja and his family face an unresolved tragedy. Despite losing his faith and struggling to find his true self, the dawn breaks over the valley, revealing that the only way to deal with trauma and evil is to face them head-on.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

Belgrade, 1996. During the student demonstrations against the Milosevic regime, 15-year-old Stefan leads his own revolution in the heat of events: accepting the unacceptable, seeing his mother as an accomplice in the crime and finding, despite the love he feels for her, the strength to confront her.

Maks is a brilliant lawyer who has been serving for years one of Croatia’s most powerful and ruthless businessmen, who made his fortune in the aftermath of the Balkan War. Maks’ latest service has been to have his client declared innocent of the murder of two of his workers for acting in self-defense. But the sudden appearance of a former girlfriend triggers a crisis of conscience in Maks, leading him to confront his employer and risk his life by uncovering a dense network of corruption at the highest level involving all branches of the State.

Milena and Marko are visiting Marko's father on a remote mountain. Both Marko and Milena have their own agendas for the vacation: Marko wants to convince father that he should sell the mountain house, while Milena wants to advance their relationship. The couple plays nice in front of the father, and Milena soon realizes Marko isn't the man she fell in love with.

Strahinja, a smuggler with a failed marriage, becomes stranded with teens he's to take across the border to Hungary. The boys' open-hearted approach to life makes Strahinja aware of the walls he has built around his own.

On the day of an inauguration to head the family business Stane confronts marriage, love and patriarchy.

When Dejan, a drug addict, arrives at a remote monastery commune, he falls under Father Branko's harsh guidance. As Dejan becomes Branko's right-hand man, their bond is tested when the priest's violent methods spiral out of control.

Bernardo is a charming, successful man, full of friends, always frantically searching for his freedom. For a bad twist of fate one day everything changes, putting him in front of a choice: accept what has happened or become someone else, to take back what life has taken from him.

Lidija is working for a dubious real estate company. It is her job to protect the construction site’s image and cover up the dirty tracks left by Serbian turbo-capitalism. But when the workers rebel, her complicity is put to the test.

Kate is a young woman who has a habit of making bad decisions, and her last date with disaster occurs after she accepts work as Santa's elf for a department store. However, after she meets Tom there, her life takes a new turn.

The lives of six people, who seem to have nothing more in common than their faraway homelands, become inextricably linked in Amsterdam, the city they have chosen as their new home.

Circles (Serbian: Krugovi) is a Serbian movie based on the true story of a Serbian soldier who risked his life to protect a Muslim civilian during the war in Bosnia. During the war in Bosnia in 1993, a Serbian soldier pays for his life after protecting a Muslim civilian from being attacked by three other soldiers. 12 years later, the consequences of this act of heroism are still having their repercussions.

Kym, an Australian tourist, decides to travel to Bosnia. Her guidebook leads her to Višegrad, a small town steeped in history, on the border of Bosnia and Serbia. After a night of insomnia in the 'romantic' Hotel Vilina Vlas, Kym discovers what happened there during the war. She can no longer be an ordinary tourist and her life will never be the same again.

After she lost her husband and her job, Mrs. J is sitting in her living room with a gun in her hand.

Belgrade, 1999. People go in and out of cafés, and lively conversation echoes all around. As if no one expects the NATO bombings. As if they never even started. But there is tension nonetheless, behind the eyes of people who suppress their fear at any cost. It is in this time and place that Ana, Sloba and Bojan construct their own sense of normality in order to retain their sanity. Three ways to deal with fear. One random sky above.

Based on a true story from Serbia, the film is about human trafficking.

When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

After years spent in Belgrade, Janko returns to his half-deserted village, the home of his widowed mother Milica. The latter sincerely hopes that Janko has come back for good; her son, however, has other plans.

How I Was Stolen by the Germans (Serbian: Koko su me ukrali Nemci) is a Serbian movie. Alex (52) is sufficiently renowned writer who is engaged in repairing other people's texts. It is vital, educated, talented but a bit of a misanthrope. One day in his life enters a girl Roma (6). Alex tells her the stories of his childhood ... The movie is a story of the film director childhood.

Teenage assassin sets out on a long voyage to gun down a witness under protection program, who luxuriates in the artificial worlds of Las Vegas.

In the Serbian drama "White, White World", the characters sing, but never dance. Formulated as a modern day Greek tragedy set in the decrepit eastern mining town of Bor, the movie follows a close group of alienated locals through misguided love affairs and other brash misdeeds. But the songs feature no choreography or other stylish methods of breaking the harsh, downtrodden tableaux.

An omnibus film on children's rights and the problems that the youngest members of our society have to face. Each story tackles a specific theme and has its own hero.

After leaving the ship on which she works, Sanja finds herself stranded, with nowhere to go but home. The shipyard has filed for bankruptcy, leaving many workers out of work. A storm comes; one life is lost. Luka is waiting for the night in the woods. The night when everything could change.

When Gavrilo Princip killed Franz Ferdinand, Austrian future king , the World War I began. What will Gavrilo Princip do? He has to choose, hard jail untill death, or hanging. There are so much things happening in Bosnia.

It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.

Guided by their maverick sociology professor, three students set up separate experiments around the city to prove his "Tetris" theory of chaos: that human nature inevitably deteriorates from order to anarchy.

Jana says goodbye to her band members, friends, ex-girlfriend and her family. They all share a feeling of regret saying goodbye to her, but also joy for her bright future in Michigan, where she's going on post graduate studies. Only her sister knows a secret, that Jana is not going away to study, Jana is going away to have her sex change. These are her two days to say goodbye to her life.

In the lush and weedy Serbian countryside, a first time human trafficker becomes stranded with the Roma boy he is to deliver.

Mladen and Marija are an ordinary and happy married couple of the "middle class" of the society in which they live as tenants. Mladen works as a civil engineer in a state company, and Marija is an English teacher in primary school. The couple finds joy in their only son, Nemanja. They discover that Nemanja has a rare heart disease and healing is possible with an operation in a foreign medical center, which costs €26,000.

A young student Braca is trying to seduce a beautiful model Iris. Although they are from two different worlds, they both try not to show it. In another story, Šomi and Duje anxiously follow the football match between Manchester and Eastwich. They bet on Eastwich, because their childhood friend Kengur is their goalkeeper. The plot of the third story takes place on the roof of the solitaire, where Avaks and Hibrid are wasting time in anticipation of something happening.

Igor Gordić was an Olympic champion in shooting, but now he is a junky without money and in debts to mafia. Saša is his younger brother and he is getting ready for the next World Championship. Since he's not getting enough terms to practice indoors, he has decided to go out and find himself a target to practice on.

The story of the film is set in the period from the 1940s until today in the Pannonian plain (the plain in the Central Europe), in an area of elusive boundaries, mysterious and unstable spiritual identity. The witness of the time is a Jewish boy Benya Cohn who, with his eye wide open, remembers the tragedy of his family, in the shadow of the Holocaust, concentration camps and new wars.

The main story is about two twenty year old guys who spend day in a remote suburb of Novi Sad. The are gathering money to go to seaside for the very first time since they finished primary school. Despite all the signs that this will be just another autumn day, on this trip they will experience the moment that will change their lives forever.

Set in the 1930s, it follows the imaginary journey of Vuk Karadzic and Joakim Vujic across Serbia in the form of a road movie. Once in Kragujevac, where they ask support from Prince Milos Obrenovic, they realize that they are competition to one another in terms of the future of Serbian language.

A contemporary historical film reflecting the drama of the profound social changes that the Serbian society underwent at the turn of this century. The story is delivered through an account of the development of the local ambulance service. Adhering to the spirit of modern neo-realism, this evolution is illustrated by three stories set in three different periods linked by mutually connected and conditioned characters; and there is also a dream of what it could be!

The story of a soldier faced with mission of executing prisoners in an unspecified place and time. The film follows a hot summer day in the life of Džoni, a twenty-year-old recruit, who is sent to an abandoned farm on an unknown mission. The soldiers wait to battle unnamed terrorists, but instead, a bus full of prisoners arrives to the barracks. The commander orders the soldiers to execute the prisoners. At first, Džoni is shocked by the cruel killings, but as more prisoners arrive, he begins to enjoy the executions.

A police investigator is violently interrogating a boy accused of subversive activities. Meanwhile, at home, his wife is tending to their gravely ill son. There is a strange link between the pain he is inflicting upon his prisoner and the recovery of his son.

The violent break-up of former Yugoslavia is described from the Serbian point of view, using the story of ethnically mixed couple in war-torn city of Vukovar as metaphor.

A story about war-disabled combatants that fought in Serbo-Turkish wars in 1876-1878. Left on their own and without limbs, they became beggars – a burden for the state that doesn’t pay attention about them. Their destiny depends exclusively on people who feel sympathy.

In attempt to find out who he is and where his roots lie, Alija Osmanović discovers something far deeper and more important. He slowly discovers an evil that follows him as his destiny regardless of what his ancestors were called. Trying to find the reasons for this evil, he finds himself in a vicious circle. Running away from an irrational fear within him, he eventually finds the road to his faith.

Nadja is a former human rights activist who now works as an assistant to Milanka, the director of Magnolia. This large corporation buys the factory of a former giant of the metalworking industry in a consortium with foreign investors, in order to turn it into arable land. Boris, Nadja's ex-boyfriend of many years and colleague from the research organization, returns from Italy to Serbia and starts working for Savić, a businessman with political ambitions. After Nadja and Boris are connected again by business, they fall into a vortex of personal, corporate and state interests, and the fate and future of a large number of people will depend on the decisions of a few.

During the Croatian War of Independance of the 1990s, a group of soldiers knocks on the door of a small family apartment. Šomi, the youngest of the family, tries to protect them at all costs.