Miroslav Karaulac

Farsa o Patlenu is a Yugoslav TV movie from 1970, produced by RTV Belgrade. It is an adaptation of the famous 15th-century French medieval farce, 'La Farce de maître Pierre Pathelin'. The story follows a crafty, bankrupt lawyer who resorts to trickery to obtain fine cloth from a greedy draper. The film was directed by Jovan Konjović and the screenplay was written by Miroslav Karaulac.

A nostalgic reunion briefly arises when three estranged siblings spend some time together in their childhood home where their father is on his dead-bed. A glimpse of a new fellowship between the three of them.

A young woman, who works as a maid for a living, takes her charge out to play in a Parisian garden square. Sitting on a bench, she starts talking to a stranger, a travelling salesman, and their conversation gradually turns into an exchange of confidences.

TV adaptation of the French comedy play "The Little Cafe", first performed in 1911. Albert Loriflan, a waiter in a Paris cafe, unexpectedly inherits a large sum of money from a wealthy relative. His unscrupulous boss, Philibert, refuses to release him from his long-term contract in the hope that Albert will buy him off with a large payment. But Albert refuses, and continues to work at the cafe even though he is now very rich. Before long he falls in love with Philibert's daughter Yvonne.

Moliere himself gave a prototype of a morally consistent and uncompromising person who is thus in conflict with the whole world. Miroslav Karaulac’s drama tries to portray the character of one such misanthrope as he might look in our milieu.

A chance meeting of old friends in the same train compartment. They go to the restaurant wagon for coffee. The lawyer and his wife are in the train restaurant. Apparently the looks of passion and longings of our friend from the compartment and the lawyer’s bring back thoughts from the past.

Farsa o Patlenu is a Yugoslav TV movie from 1970, produced by RTV Belgrade. It is an adaptation of the famous 15th-century French medieval farce, 'La Farce de maître Pierre Pathelin'. The story follows a crafty, bankrupt lawyer who resorts to trickery to obtain fine cloth from a greedy draper. The film was directed by Jovan Konjović and the screenplay was written by Miroslav Karaulac.

A nostalgic reunion briefly arises when three estranged siblings spend some time together in their childhood home where their father is on his dead-bed. A glimpse of a new fellowship between the three of them.

A young woman, who works as a maid for a living, takes her charge out to play in a Parisian garden square. Sitting on a bench, she starts talking to a stranger, a travelling salesman, and their conversation gradually turns into an exchange of confidences.

TV adaptation of the French comedy play "The Little Cafe", first performed in 1911. Albert Loriflan, a waiter in a Paris cafe, unexpectedly inherits a large sum of money from a wealthy relative. His unscrupulous boss, Philibert, refuses to release him from his long-term contract in the hope that Albert will buy him off with a large payment. But Albert refuses, and continues to work at the cafe even though he is now very rich. Before long he falls in love with Philibert's daughter Yvonne.

Moliere himself gave a prototype of a morally consistent and uncompromising person who is thus in conflict with the whole world. Miroslav Karaulac’s drama tries to portray the character of one such misanthrope as he might look in our milieu.

A chance meeting of old friends in the same train compartment. They go to the restaurant wagon for coffee. The lawyer and his wife are in the train restaurant. Apparently the looks of passion and longings of our friend from the compartment and the lawyer’s bring back thoughts from the past.

Bruno, the village scribe, is married to a beautiful and devoted young woman named Stella. He makes a good living composing love letters for the uneducated villagers, many of which are addressed to his wife. Bruno’s eloquence can lift him off into rhapsodies of brilliant exaggeration.

A TV drama based on Leonid Zhukhovitsky’s work.