Jorge Surraco

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).

Yataí is the narration of an imagined legend that gives an account of the origin of Palmar de Colón.

In "Este río, estas islas…", Surraco narrates the life and work of the Entre Ríos poet Juan L. Ortiz.

Notes on the city of Federation documents the city before its transfer.

Yataí is the narration of an imagined legend that gives an account of the origin of Palmar de Colón.

In "Este río, estas islas…", Surraco narrates the life and work of the Entre Ríos poet Juan L. Ortiz.

Notes on the city of Federation documents the city before its transfer.