Jean-Paul Sartre

Variations on the cultural and intellectual explosion in the Saint-Germain-des-Prés district in 1946.

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

Michel Contat is Emeritus Director of Research at the CNRS, ITEM/CNRS/ENS and a specialist of Jean-Paul Sartre whose novels and theater he has edited in the Pléiade edition and about whom he has written several books. With Alexander Astruc, he made the film Sartre par lui-même (1976) and, with Antoine Burnier, co-wrote the script of Claude Garretta’s TV film Sartre, L’Age des passions (2006). As a journalist, Contat contributed literary columns for Le Monde since 1978, and as an amateur musician, he was the jazz columnist for the magazine Télérama. His most recent books are Pour Sartre (2006) and André Gorz; vers la société libérée (2009).

Ulrike Ottinger weaves her personal memories of Parisian bohemianism and the serious social, political and cultural upheavals of the time into a cinematic “figure poem.”

No synopsis available yet.

Havana, spring 1971: The poet Heberto Padilla has just been set free and appears before the Cuban Writers' Union where he pronounces a statement of "heartfelt self-criticism", declares himself to be a counterrevolutionary agent and throws accusations of complicity at many of his colleagues present at the event, among them, his wife. A month previously, his arrest under the accusation of endangering the security of the Cuban state had mobilised prominent intellectuals all over the world, who wrote a letter to Fidel Castro calling for the release of the poet, whose only sin had been to dissent through his poetic work. The writer's mea culpa, the recording of which is shown for the first time to the public, marks the narrative line of a story including the testimonies of Gabriel García Márquez, Julio Cortázar, Mario Vargas Llosa, Jean-Paul Sartre, Jorge Edwards and Fidel Castro.

Nobel-prize-winning author, social justice crusader, anti-colonialist, adventure traveler, musician, and one-time Communist: André Gide was a larger-than-life character who dominated French letters from the turn of the 20th century to his death in 1951. Directed by Marc Allégret, with whom Gide traveled extensively in French Equatorial Africa, the film was made in the year leading up to the writer’s death.

From 1954 to 1962, during the Algerian War, French citizens provided concrete assistance to the FLN in France: sheltering refugees, forging documents, facilitating border crossings, and transporting funds. Whether committed to the ideals of the Republic or driven by Third Worldist revolutionaries, they sought to build a bridge of friendship between nations. They paid for their commitment with imprisonment and exile. Four veterans of the Jeanson network recall this period. Today, they are no longer seen as traitors or heroes, but as witnesses recounting "their" war... Silent for 30 years, the "Jeanson network" now bears witness to this history.

16mm film by Franco Angeli.

Documentary filmmaker Védrès' first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author". Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Védrès' fascinating tapestry.

No synopsis available yet.

An account of the childhood and youth of the Peruvian writer Mario Vargas Llosa, Nobel Prize for Literature in 2010, and how the hard experiences he lived during these formative years led him to write and publish his first major work when he was only 26 years old.

A journalist meets “Man of Today” who, while a responsible citizen, is disengaged from greater society. He believes once he’s dead nothing more matters. As an experiment to see if she can turn his pessimistic view around, the journalist sends him on a journey of enlightenment to prove that the future does matter. Travelling the globe, he finds himself in surprising encounters with great minds in the arts and sciences. Starting with an unexpected poetry reading and conversation with experimental poet Christian Bök, Man of Today engages with architect Shigeru Ban, activist Francis Dupuis-Déri, philosopher Alain de Botton, artist Marlene Dumas, novelist Rivka Galchen, leading scientists and a ghost. Will the journalist succeed in turning a cynic into an optimist? Will it matter? What can one person do?

This historic documentary highlights the basis of Jean-Paul Sartre's thoughts in all its forms: novel, theater, philosophy, political commitments. Surrounded by Claude Lanzmann, Michel Contat, JB Pontalis, Jean Toussaint Desanti and Bernard Henri Levy, Sartre expresses himself at length in this rare film. Features rare on-camera interview film footage of Sartre giving his thoughts on the following subjects: Sartre on Philosophy Sartre on Intellectualism Sartre on Literature Sartre on the Theater Sartre on Literary Activism Sartre on Discussions Sartre on his novel, "Nausea" Sartre on the Review, "Les Temps Modernes"

A documentary made to coincide with Niemeyer's 100th birthday. The renowned architect talks about his long life, his inspirations, and his aspirations towards a just Brazil, and the ways he tried to help that along in his spectacular and beautiful buildings.

An essay film about Jean-Paul Sartre and the French Existentialists, featuring Roland Barthes' last interview.

As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.

Sartre and Camus, the two most world-famous, 20th century, French writers, form a legendary and inseparable couple. The two extraordinary thinkers propelled the figure of the politically engaged writer into the limelight.

No synopsis available yet.

How could the son of a graduate historian and a secretary, who liked to adorn himself with fast cars, fake eyelashes and expensive clothes, who wanted to become an artist, journalist or film director, become the "public enemy No. 1"?

Despite her position at the epicentre of the Brazilian bossa nova scene, singer Heloísa Maria Buarque de Hollanda, known as Miúcha, has been largely underappreciated. This documentary, which dives into her career and personal life through a rich collection of archives, aims to change that.

Documentary about one of the greatest French thinkers of the twentieth century, Claude Lévi-Strauss (1908-2009).

At the height of the Vietnam War, a group of intellectuals begins a series of hearings in the People’s Palace in Stockholm. (Filmform)

An examination of Austrian psychologist Sigmund Freud's career when he began to treat patients diagnosed with hysteria, using the radical technique of hypnosis.

Prisoners await execution by firing squad when they are captured during the Spanish Civil War in this drama taken from the novella by Jean-Paul Sarte. Pablo is a loyalist jailed after he searches for his brother. An Irish mercenary and a Belgian physician are his cellmates. Flashbacks recall their lives before the war as they spend their last moments on Earth waiting for their date with death.

Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.

The scene is a tawdry hotel room in Limbo, where several damned souls are gathered. At first, the group fails to comprehend where they are or why they're there. When the horrible truth dawns upon them, they carp and snipe at one another, blaming everyone but themselves for their dismal fate.

A society heiress and a resistance fighter are tragically killed at the same moment and meet in the afterlife. They are offered a second chance at life if they can prove their love is real or be doomed to roam the earth as ghosts.

Vittorio Gassman brings Dumas's "Kean - Genius and Debauchery," adapted by Sartre, to television. Edmund Kean is a hugely popular and theatrical 19th-century English actor who is, however, addicted to vice and deeply in debt. He competes with the Prince of Wales, his partner in debauchery, for the wife of the Danish ambassador.