Robert Fischer

Evil teenager assassins Rike & Tom want to kill and film the execution of the rock star Daniel Küblböck [or Lana Kaiser to be correct], who is spiritually supported by his dead grandfather Johnny, with the support of the mysterious Baltazar! Will our well-intentioned wizard succeed to survive this Christmas related mess and learn to forgive the others while beign kidnapped and almost executed, even if that means stickin' his finger in cakes, rollin' in tha snow like a cat or having psychedelic music dreams? (and singin' some bangers in the meanwhile!)

Danish film scholar, Lars-Martin Sorensen, describes US censorship of Japanese film during the American occupation of Japan (1945-1952) and the challenges Kurosawa faced from these censors on his early films, particularly Drunken Angel (1948).

Todd Haynes, who considers Max Ophuls’ THE RECKLESS MOMENT (1949) one of his ten favorite films of all time, gives a wonderful 22 minute introduction of the film, titled "Maternal Overdrive," a term he uses to describe the state of the protagonist, Lucia Harper (Joan Bennett).

Todd Haynes, who considers Max Ophuls’ THE RECKLESS MOMENT (1949) one of his ten favorite films of all time, gives a wonderful 22 minute introduction of the film, titled "Maternal Overdrive," a term he uses to describe the state of the protagonist, Lucia Harper (Joan Bennett).

Todd Haynes, who considers Max Ophuls’ THE RECKLESS MOMENT (1949) one of his ten favorite films of all time, gives a wonderful 22 minute introduction of the film, titled "Maternal Overdrive," a term he uses to describe the state of the protagonist, Lucia Harper (Joan Bennett).

Film scholar Janet Bergstrom discusses Sternberg's 1930 film starring Marlene Dietrich.

Film scholar Janet Bergstrom discusses Sternberg's 1930 film starring Marlene Dietrich.

Film scholar Janet Bergstrom discusses Sternberg's 1930 film starring Marlene Dietrich.

In an archival interview filmed in 1989, Daniel Gélin discusses his work on Max Ophuls' 1952 film LE PLAISIR.

Interview with actor William Reynolds about his role in Douglas Sirk's ALL THAT HEAVEN ALLOWS (1955).

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Short documentary about sequences removed from the film.

Short documentary about sequences removed from the film.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.

In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.

Actors Tony Lo Bianco and Marilyn Chris, and editor Stan Warnow, discuss the 1970 film THE HONEYMOON KILLERS.

Allison Anders talks about her love for the work of film director Douglas Sirk.

Allison Anders talks about her love for the work of film director Douglas Sirk.

Allison Anders talks about her love for the work of film director Douglas Sirk.

The story behind the novel and the film Johnny Got His Gun by Dalton Trumbo.

The story behind the novel and the film Johnny Got His Gun by Dalton Trumbo.

Actors Rüdiger Vogler, Hanns Zischler and Lisa Kreuzer reflect on their work in front of the Robby Müller’s camera for Wim Wender’s seminal road movie KINGS OF THE ROAD (Im Lauf der Zeit, 1976).

Walter Hill's Streets of Fire Revisited