Directing
Joanne Richardson
Known for
Directing
Credits
4 titles
Known for
6.0Inspired by Chris Marker’s Letter from Siberia, this journey to Moldova is narrated through ten letters that reflect on the collapse of the Soviet Union, the contradictory nature of the current power of the communist party, and the uneasy proximity between post-colonialism and nationalism.
Letter From Moldova
2009
A diary of a journey through space and time, composed of subjective impressions of the present and childhood memories of the past. While traveling across Romania in the year of its EU accession, the narrative reflects on transition, the re-writing of history and the relation between images and memory.
In Transit
2008
Precarious Lives mixes archival footage of women’s labour over the past century with contemporary portraits of Romanian women. The video challenges the dominant discourse about precarity and its disregard of differences based on gender and economic disparities between the first and third worlds of Europe.
Vieti precare
2008
Behind the camera
6.0Inspired by Chris Marker’s Letter from Siberia, this journey to Moldova is narrated through ten letters that reflect on the collapse of the Soviet Union, the contradictory nature of the current power of the communist party, and the uneasy proximity between post-colonialism and nationalism.
Letter From Moldova
2009
A diary of a journey through space and time, composed of subjective impressions of the present and childhood memories of the past. While traveling across Romania in the year of its EU accession, the narrative reflects on transition, the re-writing of history and the relation between images and memory.
In Transit
2008
A diary of a journey through space and time, composed of subjective impressions of the present and childhood memories of the past. While traveling across Romania in the year of its EU accession, the narrative reflects on transition, the re-writing of history and the relation between images and memory.
In Transit
2008
Precarious Lives mixes archival footage of women’s labour over the past century with contemporary portraits of Romanian women. The video challenges the dominant discourse about precarity and its disregard of differences based on gender and economic disparities between the first and third worlds of Europe.
Vieti precare
2008
