Ján Barto

No synopsis available yet.

No synopsis available yet.

A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.

The dramatic story of the life of Slovak boatmen on the Danube during World War II is depicted through the eyes of a six-year-old boy who is forced by the events of the war to spend a dark time with his grandparents in the village. Despite the fairy-tale-sounding title, this film takes place at the end of the war in the Slovak countryside during World War II, and its child hero is the son of a Danube boatman who experiences incredible adventures. The Little Lifeguard's Lamp ranks among children's films that seek speciality in the realities of war. It explores both a children's world with a shifted lens of perception and the impact of battles interfering in the lives of the youngest.

February 1948. The struggle of decisive social forces for the heart of Europe.

An aging street stuntman plans new equipment to make his motorcycle stunts even more impressive, but his daughter wants to end his nomadic life in a camper van.

A teenage boy has problems not only with his own parents, who have no interest in marital fidelity, but also with his still unsettled love affair with both the petite girl next door and the provocative model. He gradually discovers that the adult world is ruled by pretense, and he loses control of his violently disapproving reactions.

While searching for a criminal, investigators find themselves in a series of dramatic and dangerous situations. The risk is even greater when the dangerous man is not being tracked by a professional team of criminal investigators, but by a private individual. This is the case of journalist Gavlas, who finds himself in a dangerous situation while performing his profession. Anonymous threatens him with death if he does not abandon his profession. Gavlas must deal not only with the problem of his personal attitude towards the principles of the journalistic profession, but above all he must uncover and neutralize a hidden adversary.