Siti Fatimah

When a violent act kills her parents, Sita vows to debunk the idea of supernatural torment after death — a fixation that leads her on a dark quest.

A young woman from a poor village in China, Xia Jia, arrives in Hong Kong to be a surrogate mother for a wealthy Chinese couple, living with them so they can supervise her pregnancy. It is an isolating experience, made harder by the harsh treatment of the wife towards Xia Jia, driven by bitterness and jealousy.

When a global pandemic shuts Hong Kong’s borders, hundreds of thousands of foreign domestic workers are stranded far from home. Among them is Sonia, a strong-willed Indonesian domestic worker whose world is shattered when she learns that her mother has died. Unable to return home, she takes it upon herself to organize the funeral from afar, piecing together a final farewell through a livestream thousands of miles away. But she’s forced to choose between her mother’s final farewell and the woman who depends on her for care.

Amid changing times, as friends and relatives are leaving the city one after the other, our once familiar neighbourhood is becoming foreign. Yeung Por Por has her luggage packed for the one-way flight out of the city with her son. During her final hours in Hong Kong, she goes to the Wan Chai seaside and is shocked to find a barricaded construction site. Following Rhea, her domestic helper to the latter’s Filipino community, Yeung Por Por realises what it means to be uprooted from one’s homeland. Subtly and wistfully, the film relates the difficulties and dilemmas of migration, closing with ‘You Said We’d Be Back’ by the folk-rock duo My Little Airport.