Nelly Gontika

A forgotten wedding videotape holds the coming-of-age story of a girl, pieced together through fragments of family life in provincial Greece during the 2000s. From the wedding festivities before the ceremony to the couple’s exit from the church, childhood memories intertwine with contemporary recordings of her adult self.

Maria turns 20 and has a party with friends at home. As the party continues, she retreats and climbs the roof alone. Memories from last year's Birthday begin to flood her thoughts and the trip down memory lane begins. How much something that has long since ended can hurt us. Because we dwell on thoughts of things that don't exist. Acceptance of the past and reconciliation with what happened is now all we ask. PS: "I take pictures to remember. I write to remember. I don't like to forget, I often reminisce, I always try to remember." The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

Vicious circles, mind games and black shadows. A young girl stands alone in front of a white canvas. Anxieties and fears spread across the canvas. Lost in space and time, she is looking for her way back, but in reality every journey ends where it started. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.

Angelos, Tilemachos and Efi just finished their final high school exams. University life is ahead and they spend their last summer in their small hometown. Then Angelos starts seeing a dark figure of a motorcyclist. He’s unable to express this to his father and his friends as he has to face his past to finally move on.

In an isolated mountain village, a teenage girl and her father coexist in silence and unspoken emotions, until their fragile balance begins to unravel.

After their violent breakup, the ghost of her ex follows her. He is everywhere, wherever she looks, so Alex seeks refuge. She soon discovers that all her familiar places and faces are a threat. Her instincts lead her to an underground walkway. There, she connects with a homeless man who lives there. In his gaze, she recognizes a shared trauma. She feels like he is the only person, in the only place where they can coexist. Their silent companionship brings her one step closer to facing her trauma head-on for the first time.

Michael, a middle-aged man confined to his home, receives an invitation from his twenty-year-old niece to accompany her to an event where one of his childhood idols will be present. Michael is confronted with his OCD, which he has denied to himself for many years.