Cristobal Lopez Baena

Year 1866. Venancio, a young gaucho, embarks on a journey to escape from a curse through a war-torn region desperately seeking salvation among rustlers, priests, shamans and deserters. The stronger his fear is, the more real the legend becomes.

Those who rebel against authority figures disobey. This film echoes “Cordobazo” — a popular rebellion in Cordoba against the Argentine military dictatorship in 1969 — through the story of Alicia, a trolleybus driver who joins an insurrection against an oppressive regime.

During the civil war between the Unitarians and Federalists in Córdoba in 1830, the historical series La Pulpera follows Fátima, the niece of the deposed Federalist leader Juan Bautista Bustos. After her stepfather is killed by the invading army, she and other women form a spy ring to sabotage the Unitarians, led by General José María "el Manco" Paz. To carry out her plan, Fátima infiltrates enemy ranks, a risky move that leads her into a forbidden and dangerous love with Manco Paz, putting her loyalty and her life on the line.

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This is not about actors, nor about a theater in ashes, nor about a play without an audience, nor about a ghost actress, nor about the outline of a dead man, nor about a theater with a life of its own, nor about an actor who is also an actress, nor about a fake phone call, nor about a house with four walls that turns, nor about a psychotic clown, nor about one, two, three, four NN bodies tied up without choice, much less about a certain theater, with a certain fire, with a certain collapse, with a certain 2007 scratched in the mind of a certain ghost actress, of a certain faggot and of a certain clown, nor about the revelation of their secret that neither you, nor I, nor they know if it was like that or not.

A gardener becomes confused about his sexuality after coming across a group of gay guys partying at a house where he works.

During the civil war between the Unitarians and Federalists in Córdoba in 1830, the historical series La Pulpera follows Fátima, the niece of the deposed Federalist leader Juan Bautista Bustos. After her stepfather is killed by the invading army, she and other women form a spy ring to sabotage the Unitarians, led by General José María "el Manco" Paz. To carry out her plan, Fátima infiltrates enemy ranks, a risky move that leads her into a forbidden and dangerous love with Manco Paz, putting her loyalty and her life on the line.

This is not about actors, nor about a theater in ashes, nor about a play without an audience, nor about a ghost actress, nor about the outline of a dead man, nor about a theater with a life of its own, nor about an actor who is also an actress, nor about a fake phone call, nor about a house with four walls that turns, nor about a psychotic clown, nor about one, two, three, four NN bodies tied up without choice, much less about a certain theater, with a certain fire, with a certain collapse, with a certain 2007 scratched in the mind of a certain ghost actress, of a certain faggot and of a certain clown, nor about the revelation of their secret that neither you, nor I, nor they know if it was like that or not.

This is not about actors, nor about a theater in ashes, nor about a play without an audience, nor about a ghost actress, nor about the outline of a dead man, nor about a theater with a life of its own, nor about an actor who is also an actress, nor about a fake phone call, nor about a house with four walls that turns, nor about a psychotic clown, nor about one, two, three, four NN bodies tied up without choice, much less about a certain theater, with a certain fire, with a certain collapse, with a certain 2007 scratched in the mind of a certain ghost actress, of a certain faggot and of a certain clown, nor about the revelation of their secret that neither you, nor I, nor they know if it was like that or not.