Known for
NRIt is the late 1930s and some British households still eagerly await the arrival of electricity. When a pylon is erected in the garden, Morris's mother can't wait to show off her Swedish lumbago belt and toaster. But Morris is gripped by a deeper passion that will change his life - one that will not be illuminated for 50 years.
In The Cold Light Of Day
1994
NRDennis is an undertaker, and for him death is a serious business. But for his mother, it's a day out and a chance to dress up and chat. Director Richard Monks was helped with his script by the playwright Alan Bennett.
A Life in Death
1991
Behind the camera
NRIt is the late 1930s and some British households still eagerly await the arrival of electricity. When a pylon is erected in the garden, Morris's mother can't wait to show off her Swedish lumbago belt and toaster. But Morris is gripped by a deeper passion that will change his life - one that will not be illuminated for 50 years.
In The Cold Light Of Day
1994
NRIt is the late 1930s and some British households still eagerly await the arrival of electricity. When a pylon is erected in the garden, Morris's mother can't wait to show off her Swedish lumbago belt and toaster. But Morris is gripped by a deeper passion that will change his life - one that will not be illuminated for 50 years.
In The Cold Light Of Day
1994
NRDennis is an undertaker, and for him death is a serious business. But for his mother, it's a day out and a chance to dress up and chat. Director Richard Monks was helped with his script by the playwright Alan Bennett.
A Life in Death
1991
NRDennis is an undertaker, and for him death is a serious business. But for his mother, it's a day out and a chance to dress up and chat. Director Richard Monks was helped with his script by the playwright Alan Bennett.
A Life in Death
1991
