Delgerjargal Sharav

Mongolia, 1960's. An old herdswoman lives alone in her yurt in the great Gobi Desert. Visitors from the national registration office come to collect information from her for the census. Sarcastically naming the elderly woman "pretty lady", they question her about her identity - but she divulges little. However, when one of the officers stays the night to count her livestock, she opens up to him with a dramatic tale of love, sacrifice, and motherhood.

The philosophy of the film is that the Mongolian heritage, customs, and humanity are being diminished day by day, the destruction of small nations deeply affected by the winds of globalization, and the behavior of today's people who are abandoning the teachings of their ancestors, are related to the life of Khutagt Danzanravjaa and the adventures of the steppe wolf.

The only son of the family, Deleg, went to the army four years later and disappeared without telling his family. Waiting for the missing man, the dowry will be turned away by the local men, but the man thinks of the PROMISE he made to his husband and continues to live with his mother-in-law as his wife and neighbor... The movie shows the heart of a wife who waits for her missing spouse, the heart of a mother who complains to her daughter-in-law when she is sad that she is going to die, and the broken heart of a daughter who is her father. The knot of the whole story of the film is unraveled by the hoarse whisper.

After being imprisoned for many years, Yerol decides to change his life and live like a human after being released. So he visits his old friends, but there is no one to trust him except a stranger he has been corresponding with through letters while in prison. Although everything was good after meeting that woman, one thing always bothered him: his promise to his mother to be a good person. However, his dream of becoming a human and returning to his mother was not liked by his prison colleagues.

Taivnaa, a local trader who sells milk between towns and villages, is confused when he meets Manlai on the same train. Manlai, who was born and raised in the city, was on his way to meet his girlfriend, but trusting Taivnaa's words, he gets off at Zuunharaa and ends up with a woman named Gerelee.

A biographical film about Mongolian revolutionary Ard Ayush, who fought against Qing oppression and eventually takes part in the rise of an independent nation.

The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.

Along with the growth and strengthening of agricultural collectives, it is said that there is a great evolution in the minds of the people, and it is shown that large collective farms are being established.

The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.

The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.