Norov Dalkhaa

It is shown in the role of Tumur, who has been forced to bear the actions of others and is unable to meet the person he longs for.

The film begins with a young man named Ganbat leaving prison and entering ordinary life, working as a carpenter with a group of students. Although Ganbat appears to be a fierce and aggressive person to others, he is actually a completely different person. In addition to being a true man, he also has the idea of ​​not leading the young people he is with astray.

Dambii Huyag, who served in the government all his life, and Tsog, nicknamed Bunduut, who spent most of his life in prison, will live in an orphanage at the end of their years. These two old men are not the same. A tragic film about such an encounter.

Mongolia, 1960's. An old herdswoman lives alone in her yurt in the great Gobi Desert. Visitors from the national registration office come to collect information from her for the census. Sarcastically naming the elderly woman "pretty lady", they question her about her identity - but she divulges little. However, when one of the officers stays the night to count her livestock, she opens up to him with a dramatic tale of love, sacrifice, and motherhood.

It is shown in the role of Tumur, who has been forced to bear the actions of others and is unable to meet the person he longs for.

The film begins with a young man named Ganbat leaving prison and entering ordinary life, working as a carpenter with a group of students. Although Ganbat appears to be a fierce and aggressive person to others, he is actually a completely different person. In addition to being a true man, he also has the idea of ​​not leading the young people he is with astray.

Dambii Huyag, who served in the government all his life, and Tsog, nicknamed Bunduut, who spent most of his life in prison, will live in an orphanage at the end of their years. These two old men are not the same. A tragic film about such an encounter.

Mongolia, 1960's. An old herdswoman lives alone in her yurt in the great Gobi Desert. Visitors from the national registration office come to collect information from her for the census. Sarcastically naming the elderly woman "pretty lady", they question her about her identity - but she divulges little. However, when one of the officers stays the night to count her livestock, she opens up to him with a dramatic tale of love, sacrifice, and motherhood.