Noa Blanche Beschorner

Taking the form of language exercises, Sous le soleil exactement is a tribute to the city symphonies of Berlin - a city whose inhabitants, streets and movements inspire the traveler's observations. Noa Blanche Beschorner returns to her native Germany and, through editing, creates a dialogue between spaces - sometimes populated, then deserted. A meditative film, where time and space set the tone.

Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.

On a bleak day in midwinter, a girl travels to her city's bus station to meet someone. She travels familiar streets and moves confidently. Her relationship with her city changes when no one arrives on the expected bus. She wanders out of the bus station, noticing her city in a new way.

Born in Germany in 2002, Noa Blanche Beschorner evokes the memory of those who, a generation before her, lived through the separation of East and West Germany. Tapetenwechsel (Change of Scenery) is the story of youth seeking their identity when confronting their collective memory.

Taking the form of language exercises, Sous le soleil exactement is a tribute to the city symphonies of Berlin - a city whose inhabitants, streets and movements inspire the traveler's observations. Noa Blanche Beschorner returns to her native Germany and, through editing, creates a dialogue between spaces - sometimes populated, then deserted. A meditative film, where time and space set the tone.

Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.

On a bleak day in midwinter, a girl travels to her city's bus station to meet someone. She travels familiar streets and moves confidently. Her relationship with her city changes when no one arrives on the expected bus. She wanders out of the bus station, noticing her city in a new way.

Born in Germany in 2002, Noa Blanche Beschorner evokes the memory of those who, a generation before her, lived through the separation of East and West Germany. Tapetenwechsel (Change of Scenery) is the story of youth seeking their identity when confronting their collective memory.