Pierre Roustang

Henry Roubier, a French promoter, and Enrico Mazzini, an Italian, have signed an agreement guaranteeing them a stranglehold on European highways. While driving on the roads of the south, Roubier takes two young hitchhikers, but an unfortunate swerve the car rushes by Henri and its occupants on the top of a pine tree onto the side of a cliff.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

A young woman is seduced by a wealthy diplomat, who leaves her his business card and arranges to meet her. She goes to a jeweler and, using the card, asks to finalize a jewelry sale at her supposed husband's home. The jeweler arrives while the diplomat is taking a bath and is greeted by the young woman, who offers him tea.

The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.

Henry Roubier, a French promoter, and Enrico Mazzini, an Italian, have signed an agreement guaranteeing them a stranglehold on European highways. While driving on the roads of the south, Roubier takes two young hitchhikers, but an unfortunate swerve the car rushes by Henri and its occupants on the top of a pine tree onto the side of a cliff.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

A young woman is seduced by a wealthy diplomat, who leaves her his business card and arranges to meet her. She goes to a jeweler and, using the card, asks to finalize a jewelry sale at her supposed husband's home. The jeweler arrives while the diplomat is taking a bath and is greeted by the young woman, who offers him tea.

The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.

The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.

An exposé of the sexual revolution.

An exposé of the sexual revolution.

Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily...

An old man against the public housing project.