Maria Körber

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No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A handful of disparate people in Berlin are drawn to the same residential hotel in the drama Downhill City. Finnish musician Artsi heads to Berlin in hopes of hitting the big time; needing a place to stay, he takes a room at the Downhill City Hotel and ties to find a market for his music. Meanwhile, another Downhill Hotel resident, aspiring author Fabien, meets a former convict named Sascha who has nowhere to stay and offers to take him in. Peggy, who works at a fast-food restaurant, is unhappy with her boyfriend Hans and finally kicks him out. Peggy meets Artsi when he stops by the burger stand one day, while Hans (who ends up crashing with Sascha and Fabien) starts a new relationship of his own with Doris.

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Teacher Anne and policeman Georg are thought of as the perfect couple. However, appearances are deceptive: one of them is covered with scars and bruises. But which one is the abuser?

At nine, Miroslav flees the Eastern Front alone after his mother’s disappearance. In postwar Germany, the Czech boy drifts between zones, lands in reform schools and prisons, and suffers a crippling accident. Rejected by society and facing deportation, he joins Berlin’s underworld, is arrested for murder, and confronts whether society or he is to blame.

A wealthy middle-aged man tries to seduce younger women at an oceanfront resort.

A quirky family lives their simple but joyful life which centers around the youngest family member, a little boy.

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No synopsis available yet.

Ernst Stadler is a successful, award-winning chef with his own gourmet restaurant. His older brother Ludwig is also a chef, but is currently in prison. Adrian, the youngest of the three, is a nurse and gay. When their mother dies, they travel together to the funeral in Saxony-Anhalt. There they find a clue about Wickerl's biological father. They track down Ernst's father in Hungary. He had once abandoned his pregnant mother. Adrian is not a brother in the biological sense; he was adopted by his mother as a foundling. Nevertheless, they come to the conclusion: "And the three of us are still brothers."

The attractive Léa is around 40 and has a 20-year-old son, the result of a fleeting relationship. She lives with him in a posh studio apartment. Now Léa falls in love with David, who is supposedly an architect with a full order book and promises her marriage. In reality, however, he is a small-time employee. So that son Mathieu, who doesn't want to leave his mother alone, moves out of the apartment and goes to Canada with his girlfriend, a comedy is played for him...

Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.

Young, pretty Milli is passionate about winter sports, and of all things, she wins a vacation trip to the Baltic Sea at her company - in summer, of course. After her first dip in the sea and meeting a nice young man, her initial displeasure fades. But not for long, because Robby turns out to be a filou, shuns regular work and is also a womanizer. After some confusion, Milli's vacation ends well after all. She goes home with Robby, who wants to take a job as a car mechanic in her home town of Suhl.

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An East German machinist, disenchanted by the building of the Wall, plans to use a train to cross the border with family members and other disaffected citizens.

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The young Laura actually has a bright future ahead of her: She marries Alec Haverstock, the man she loves as she has never loved anyone before. But Laura has no idea that Alec's past has a flaw that will soon overshadow her young happiness. On a trip to see Alec's relatives in Cornwall, she embarks on a search for the ominous traces of the past. And she gets into dramatic entanglements that threaten her life.

"The blood of millions of people hangs on this film" wrote the newspapers in 1949, when the trial of Veit Harlan began. Between 1940 and 1945, 20 million Germans saw his inflammatory film "Jud Süß". Is Harlan a "director of the devil", as the public prosecutor claims?

No synopsis available yet.

No synopsis available yet.