Jean-François Adam

A talk show presented by Michel Drucker

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Jean Lerat begins his military service at an army camp. Despite his aunt’s attempts to pull a few strings to his advantage, the unfortunate Lerat manages to get on the wrong side of his bullying colonel…

A stranger enters into and forever alters the life of a couple. He claims to be pursued by certain authorities who intend to prevent him from disclosing a secret that only he holds, whence the title. Is he lying, or insane - or is he telling the truth? Who, if anyone, is after him? And what *is* - the secret?

A talk show presented by Michel Drucker

Julien seeks to reconquer Jeanne, his ex-wife, of whom he is separated and who lives with another man. He is prepared to go far to make it happen.

Julien seeks to reconquer Jeanne, his ex-wife, of whom he is separated and who lives with another man. He is prepared to go far to make it happen.

A psychiatrist takes complete responsibility when his son is found floating in a swimming pool, stabbed to death. All the evidence points to a young orphan boy as the real murderer. Why is the psychiatrist claiming the murder as his own?

Mathieu is collected from the hospital by his wife, and dropped of at an apartment. His wife returns home to their son. The next time she sees him, he confesses that he is in love with another woman. This woman, who is identical to his wife, visits him. After making love, she leaves. She then returns. Mathieu shoots her - or does he shoot a mirror?