Fernando Salém

To pursue the woman of dreams, there are lovers capable of delving into a strange journey - through all the genres and styles that cinema has invented to represent the greatest of all arts: the art of passion.

Disagreements, incommunicability between people. What is said is not heard, what is heard is not understood. Everything is ambiguous. What appears to be is not, except poetry.

Tarsilinha sets off on a journey to save her mother’s memory. The only way to do this is to find her mom's stolen keepsakes and overcome her own fears.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

To pursue the woman of dreams, there are lovers capable of delving into a strange journey - through all the genres and styles that cinema has invented to represent the greatest of all arts: the art of passion.

Tarsilinha sets off on a journey to save her mother’s memory. The only way to do this is to find her mom's stolen keepsakes and overcome her own fears.