Irada Bagirzade

In the forgotten district of Bilesuvar, South of Azerbaijan, some men and women are looking for something in their dimly enlightened lives. They want to tell us their wishes, their despairs and their fights. It's all about Bilesuvar's soul.

A melodrama about the complex emotional connection between a woman struggling with her marriage and her lonely neighbor in the old courtyards of Baku

“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.

In the forgotten district of Bilesuvar, South of Azerbaijan, some men and women are looking for something in their dimly enlightened lives. They want to tell us their wishes, their despairs and their fights. It's all about Bilesuvar's soul.

A melodrama about the complex emotional connection between a woman struggling with her marriage and her lonely neighbor in the old courtyards of Baku

“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.