András Almási-Tóth

In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the context of the war in Vietnam and the cold war, this encounter marked a turning point in Chinese‑American relations. Nixon in China addresses the political thaw instigated by ping-pong diplomacy, which began by an invitation of the American table tennis players to their Chinese counterparts, one year before the presidential visit.

A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the realm? In his final music drama Parsifal, Wagner fashions the fear of the temptations and sinful desires into a tale of redemption. The score contrasts the sacred with the sensual, from the stark magnificence of the music for the procession to the Grail Hall in Act I to the richly orchestrated scene in which Kundry attempts to seduce Parsifal in Act II. There are sections of almost unearthly beauty such as the Act I Prologue and the closing scene of the opera, in which Parsifal reveals the Grail to the knights. OperaVision viewers discover András Almási-Tóth’s new production conducted by Balázs Kocsár live at its premiere on Good Friday at Hungarian State Opera.

In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the context of the war in Vietnam and the cold war, this encounter marked a turning point in Chinese‑American relations. Nixon in China addresses the political thaw instigated by ping-pong diplomacy, which began by an invitation of the American table tennis players to their Chinese counterparts, one year before the presidential visit.

A young man ignorant of everything, including his own name, arrives at the Kingdom of the Holy Grail. Is he the ‘pure fool, enlightened by compassion’, who, it has been prophesied, will purify the realm? In his final music drama Parsifal, Wagner fashions the fear of the temptations and sinful desires into a tale of redemption. The score contrasts the sacred with the sensual, from the stark magnificence of the music for the procession to the Grail Hall in Act I to the richly orchestrated scene in which Kundry attempts to seduce Parsifal in Act II. There are sections of almost unearthly beauty such as the Act I Prologue and the closing scene of the opera, in which Parsifal reveals the Grail to the knights. OperaVision viewers discover András Almási-Tóth’s new production conducted by Balázs Kocsár live at its premiere on Good Friday at Hungarian State Opera.