Directing
Andres Molano Moncada
Known for
Directing
Credits
9 titles
Known for
NRNo synopsis available yet.
El Regalo de Maria Camila
2019
NRSantiago is a struggling screenwriter who finds his muse, a woman he names “Raquel,” in the building across the street. His inspiration is pushed to the limit when he must choose between writing about Raquel or saving her from dying.
Reescrito
2022
NRIn this comical short, a man has a hard time making breakfast for the woman who sleeps beside him.
Breakfast with Tiffany
2016
NRElvia has something to celebrate. She leaves work early to spend the day with her teenage son, but he’s more concerned with texting on his phone and blasting reggaeton through his loudspeakers. At night, Elvia takes desperate steps to capture his attention.
Faces
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Behind the camera
NRNo synopsis available yet.
El Regalo de Maria Camila
2019
NRNo synopsis available yet.
El Regalo de Maria Camila
2019
NRNo synopsis available yet.
El Regalo de Maria Camila
2019
NRSantiago is a struggling screenwriter who finds his muse, a woman he names “Raquel,” in the building across the street. His inspiration is pushed to the limit when he must choose between writing about Raquel or saving her from dying.
Reescrito
2022
NRSantiago is a struggling screenwriter who finds his muse, a woman he names “Raquel,” in the building across the street. His inspiration is pushed to the limit when he must choose between writing about Raquel or saving her from dying.
Reescrito
2022
NRSantiago is a struggling screenwriter who finds his muse, a woman he names “Raquel,” in the building across the street. His inspiration is pushed to the limit when he must choose between writing about Raquel or saving her from dying.
Reescrito
2022
NRIn this comical short, a man has a hard time making breakfast for the woman who sleeps beside him.
Breakfast with Tiffany
2016
NRIn this comical short, a man has a hard time making breakfast for the woman who sleeps beside him.
Breakfast with Tiffany
2016
NRElvia has something to celebrate. She leaves work early to spend the day with her teenage son, but he’s more concerned with texting on his phone and blasting reggaeton through his loudspeakers. At night, Elvia takes desperate steps to capture his attention.
Faces
—
