Giovanna Heroso

Behold, Shulamite did not fear the desire she had felt. Rather, she clothed herself in its bonds and carried it with her. And the narrower the path became, the firmer her will grew, until death sealed what no word could ever say.

Reimagining scenes from the iconic Man with a Movie Camera (1929, Dir. Dziga Vertov/USSR), Man with a Cellphone Camera delves into the creative potential and image manipulation in the era of social media.

At a strip club on Valentine’s Day, a new customer catches the eye of one of the dancers.

A couple interrupts an intimate moment to discuss their relationship.

The dilation of the “I” as an individual, demonstrating this through intimacy and human senses, accompanying Gabriela, in her conscious and subconscious.

Documentary explores the life stages of different people.

Behold, Shulamite did not fear the desire she had felt. Rather, she clothed herself in its bonds and carried it with her. And the narrower the path became, the firmer her will grew, until death sealed what no word could ever say.

Behold, Shulamite did not fear the desire she had felt. Rather, she clothed herself in its bonds and carried it with her. And the narrower the path became, the firmer her will grew, until death sealed what no word could ever say.

At a strip club on Valentine’s Day, a new customer catches the eye of one of the dancers.

At a strip club on Valentine’s Day, a new customer catches the eye of one of the dancers.

A couple interrupts an intimate moment to discuss their relationship.

The dilation of the “I” as an individual, demonstrating this through intimacy and human senses, accompanying Gabriela, in her conscious and subconscious.

The dilation of the “I” as an individual, demonstrating this through intimacy and human senses, accompanying Gabriela, in her conscious and subconscious.

Documentary explores the life stages of different people.