Delphine Seyrig

An international assassin known as ‘The Jackal’ is employed by disgruntled French generals to kill President Charles de Gaulle, with a dedicated gendarme on the assassin’s trail.

A fairy godmother helps a princess disguise herself so she won't have to marry her father.

Chick fell in love with Alise because of a shared passion for writer Jean-Sol Partre who gradually devoured their relationship. Soon after, Colin, the main character, also falls in love with a young girl, Chloe, but after their marriage she soon suffers from a strange illness: a water lily grows in her lungs.

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.

At a weekend gathering, a man tells a woman that they had spent time there together a year prior. But, the woman has no recollection whatsoever and is convinced that he is simply fabricating the encounter. The more he speaks about their activities the previous year however, the more compelling he becomes. The question remains however – did they meet previously or not?

Ostend, Belgium. In a decadent seaside hotel, Stefan and Valerie, a newlywed couple, meet the mysterious Countess Báthory and Ilona, her secretary.

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

A British agent's son is kidnapped and held for a ransom of diamonds. The agent finds out that he can't even count on the people he thought were on his side to help him, so he decides to track down the kidnappers himself.

Barbara is a forty-year-old woman of Polish origin living in Budapest. She is a biologist, a wife and a mother. The death of her woman friend opens her eyes to the fact that she is lonely, unable to find her place.

In the seacoast town of Boulogne, antique furniture saleswoman Hélène lives with her stepson, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit, Alphonse, with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The past is obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well.

Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.

Stephen is a professor at Oxford University who is caught in a rut and feels trapped by his life in both academia and marriage. One of his students, William, is engaged to the beautiful Anna, and Stephen becomes enamored of the younger woman. These three people become linked together by a horrible car crash, with flashbacks providing details into the lives of each person and their connection to the others in this brooding English drama.

Two men, part tramp, part pilgrim, are on their way from France to Santiago de Compostela in Spain. On their way, they meet a vast assortment of characters—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

After 10 years separation from his wife, a film director (Jean-Louis Trintignant), imagines he can make up with her by giving her a part in his next film, an adaptation of Tshekov's "Three Sisters". He goes location scouting and stays in Bex, a Spa near Lake Leman, together with the three actresses : Julie, his ex-wife (Delphine Seyrig), the mysterious Cecilia, that his producer wants him to take (Lea Massari), and Esther (Valérie Mairesse), a teenager. They all stay in an old decaying hotel. In this isolated mansion the four of them will fight but also discover each other.

After separating from the father of her son, a young French woman tries to find lodging and a fresh start in L.A. for herself and her son.

A filmed adaptation of Rose Leiman Goldemberg’s play, based on Sylvia Plath’s intense correspondence with her mother Aurelia, from the time the poet was in university until her suicide. Delphine Seyrig and her niece Coralie Seyrig recite Sylvia and Aurelia’s letters to the audience directly.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

Inês Etienne Romeu was an opponent to the Brazilian's dictatorship. She was kidnapped, tortured and raped in jail, where she stayed for almost 100 days. She was later sentenced to life imprisonment. She stayed ten years in prison, from 1971 to 1979. Delphine Seyrig directed this film in 1974, when Inês was still in prison, protesting against this imprisonment and in support to Inês.

In a lively shopping center, proprietors and customers are bustling, including three women vying for a man's heart with song and dance.

A model tells a television crew about her dreams of a life with prince charming all while fending off the lecherous advances of a horde of men.

No synopsis available yet.

A filmed adaptation of Rose Leiman Goldemberg’s play, based on Sylvia Plath’s intense correspondence with her mother Aurelia, from the time the poet was in university until her suicide. Delphine Seyrig and her niece Coralie Seyrig recite Sylvia and Aurelia’s letters to the audience directly.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

Inês Etienne Romeu was an opponent to the Brazilian's dictatorship. She was kidnapped, tortured and raped in jail, where she stayed for almost 100 days. She was later sentenced to life imprisonment. She stayed ten years in prison, from 1971 to 1979. Delphine Seyrig directed this film in 1974, when Inês was still in prison, protesting against this imprisonment and in support to Inês.

Inês Etienne Romeu was an opponent to the Brazilian's dictatorship. She was kidnapped, tortured and raped in jail, where she stayed for almost 100 days. She was later sentenced to life imprisonment. She stayed ten years in prison, from 1971 to 1979. Delphine Seyrig directed this film in 1974, when Inês was still in prison, protesting against this imprisonment and in support to Inês.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.

The year 1975 is declared “year of the woman”. On this occasion Bernard Pivot invited Françoise Giroud on television, then Secretary of State for Women. Faced with statements, a group of women filmmakers parody the issues in a provocative way.

Images from “La nuit des femmes”, an evening in support of the three Portuguese writers, Maria Isabel Barreno, Maria Teresa Horta and Maria Velho da Costa, who, for having published in 1972 the “Novas Cartas Portuguesas”, a collective work bringing together texts denouncing the alienating and patriarchal Portuguese society, were brought to justice and risked 2 to 5 years in prison for insulting good morals.

Documentary about feminist protests on the 1st of May of 1976

In two parts, it documents the litigation of Brigitte Fontaine, Monique Piton, Mireille and Erin Pizzey with Éditions de femmes in 1976 and those of Catherine Leguay and Brigitte Fontaine in 1977.