Soso Chkhaidze

It is a Georgian short film that tells the story of the love between two young people.

Soso Chkhaidze's documentary film "Kolkhida". Director's course work. Shot in 1967, in the third year of the Moscow Institute of Cinematography (ВГИК) (Pavel Chukhray's studio).

Working with the Georgian polyphonic ensemble Rustavi and composer Anzor Erkomaishvili to resurrect the countryside’s derelict monasteries, Chkhaidze films eroded structures and faded biblical paintings caressed by sunlight, evoking the ambivalence of a besieged culture despite Georgia’s extant link to antiquity. Building on themes from his earlier work, Kolkhida—where Chkhaidze assigns the famed national myth of Jason’s quest to find the Golden Fleece in Colchis a negligible value in proportion to the land’s permanence—Chkhaidze here examines and historicizes Georgia’s identity as one of the earliest adopters of Christianity.

It is a Georgian short film that tells the story of the love between two young people.

It is a Georgian short film that tells the story of the love between two young people.

Soso Chkhaidze's documentary film "Kolkhida". Director's course work. Shot in 1967, in the third year of the Moscow Institute of Cinematography (ВГИК) (Pavel Chukhray's studio).

Working with the Georgian polyphonic ensemble Rustavi and composer Anzor Erkomaishvili to resurrect the countryside’s derelict monasteries, Chkhaidze films eroded structures and faded biblical paintings caressed by sunlight, evoking the ambivalence of a besieged culture despite Georgia’s extant link to antiquity. Building on themes from his earlier work, Kolkhida—where Chkhaidze assigns the famed national myth of Jason’s quest to find the Golden Fleece in Colchis a negligible value in proportion to the land’s permanence—Chkhaidze here examines and historicizes Georgia’s identity as one of the earliest adopters of Christianity.

Working with the Georgian polyphonic ensemble Rustavi and composer Anzor Erkomaishvili to resurrect the countryside’s derelict monasteries, Chkhaidze films eroded structures and faded biblical paintings caressed by sunlight, evoking the ambivalence of a besieged culture despite Georgia’s extant link to antiquity. Building on themes from his earlier work, Kolkhida—where Chkhaidze assigns the famed national myth of Jason’s quest to find the Golden Fleece in Colchis a negligible value in proportion to the land’s permanence—Chkhaidze here examines and historicizes Georgia’s identity as one of the earliest adopters of Christianity.