Benson Koo

A lonely man is hired to take care of the to-be-demolished Cheung Chau Cinema. He is greeted by a dog, two kids, and a mysterious granny who calls everyday. The film was shot in the ruin of Cheung Chau Cinema, locating in Cheung Chau, an island in Hong Kong. Before saying goodbye, he organises his own screening of The One-Armed Swordsman (1967) directed by Chang Cheh.

The antidote to loneliness may be found between the two ears instead of legs. Financially ruined, Kwong is ready to go by sleeping pills, until his attention is called to a TV commercial of a sex hotline. He is connected to a female voice who calls herself Sugar, who, initially flirtatious, becomes alarmed at the weeping suicidal voice on the other end. Sugar then tries to keep Kwong on the line by sharing her own life. Inspired by an article about a disabled sex worker, the short is a tribute to these alternative sex workers.

Memories of dreams are like a piece of paper filled with words in our minds, leaving only burnt fragments upon waking. If these memory snippets are edited together, would it be a documentary of nightmares? Or a stream-of-consciousness short film akin to collage art?

Summer in Cheung Chau is a hidden wonderland. Three local Cheung Chau kids and a dog break into homes of islanders who are on vacation, and of the emigrants who left for good. Marked with whimsical adventures, their journey imparts unexpected lessons about the secrets of the adult world. As the end of summer approaches, the trio is destined to part at the cruel crossroads of youth.

A devoted couple settled themselves in Hong Kong decades ago through turmoil across the border, navigated through ebb and flow together in life. Since the stroke of the wife, Yeung Ha (Brenda Chan), they were both physically and mentally weighed down. Husband Lau Choi (Ying To Li), with his unswerving affection, continues their journey to the other side of life as it vanish away.

A lonely man is hired to take care of the to-be-demolished Cheung Chau Cinema. He is greeted by a dog, two kids, and a mysterious granny who calls everyday. The film was shot in the ruin of Cheung Chau Cinema, locating in Cheung Chau, an island in Hong Kong. Before saying goodbye, he organises his own screening of The One-Armed Swordsman (1967) directed by Chang Cheh.

A lonely man is hired to take care of the to-be-demolished Cheung Chau Cinema. He is greeted by a dog, two kids, and a mysterious granny who calls everyday. The film was shot in the ruin of Cheung Chau Cinema, locating in Cheung Chau, an island in Hong Kong. Before saying goodbye, he organises his own screening of The One-Armed Swordsman (1967) directed by Chang Cheh.

The antidote to loneliness may be found between the two ears instead of legs. Financially ruined, Kwong is ready to go by sleeping pills, until his attention is called to a TV commercial of a sex hotline. He is connected to a female voice who calls herself Sugar, who, initially flirtatious, becomes alarmed at the weeping suicidal voice on the other end. Sugar then tries to keep Kwong on the line by sharing her own life. Inspired by an article about a disabled sex worker, the short is a tribute to these alternative sex workers.

The antidote to loneliness may be found between the two ears instead of legs. Financially ruined, Kwong is ready to go by sleeping pills, until his attention is called to a TV commercial of a sex hotline. He is connected to a female voice who calls herself Sugar, who, initially flirtatious, becomes alarmed at the weeping suicidal voice on the other end. Sugar then tries to keep Kwong on the line by sharing her own life. Inspired by an article about a disabled sex worker, the short is a tribute to these alternative sex workers.

The antidote to loneliness may be found between the two ears instead of legs. Financially ruined, Kwong is ready to go by sleeping pills, until his attention is called to a TV commercial of a sex hotline. He is connected to a female voice who calls herself Sugar, who, initially flirtatious, becomes alarmed at the weeping suicidal voice on the other end. Sugar then tries to keep Kwong on the line by sharing her own life. Inspired by an article about a disabled sex worker, the short is a tribute to these alternative sex workers.

Memories of dreams are like a piece of paper filled with words in our minds, leaving only burnt fragments upon waking. If these memory snippets are edited together, would it be a documentary of nightmares? Or a stream-of-consciousness short film akin to collage art?

Memories of dreams are like a piece of paper filled with words in our minds, leaving only burnt fragments upon waking. If these memory snippets are edited together, would it be a documentary of nightmares? Or a stream-of-consciousness short film akin to collage art?

Summer in Cheung Chau is a hidden wonderland. Three local Cheung Chau kids and a dog break into homes of islanders who are on vacation, and of the emigrants who left for good. Marked with whimsical adventures, their journey imparts unexpected lessons about the secrets of the adult world. As the end of summer approaches, the trio is destined to part at the cruel crossroads of youth.

Summer in Cheung Chau is a hidden wonderland. Three local Cheung Chau kids and a dog break into homes of islanders who are on vacation, and of the emigrants who left for good. Marked with whimsical adventures, their journey imparts unexpected lessons about the secrets of the adult world. As the end of summer approaches, the trio is destined to part at the cruel crossroads of youth.

Summer in Cheung Chau is a hidden wonderland. Three local Cheung Chau kids and a dog break into homes of islanders who are on vacation, and of the emigrants who left for good. Marked with whimsical adventures, their journey imparts unexpected lessons about the secrets of the adult world. As the end of summer approaches, the trio is destined to part at the cruel crossroads of youth.

A devoted couple settled themselves in Hong Kong decades ago through turmoil across the border, navigated through ebb and flow together in life. Since the stroke of the wife, Yeung Ha (Brenda Chan), they were both physically and mentally weighed down. Husband Lau Choi (Ying To Li), with his unswerving affection, continues their journey to the other side of life as it vanish away.

A devoted couple settled themselves in Hong Kong decades ago through turmoil across the border, navigated through ebb and flow together in life. Since the stroke of the wife, Yeung Ha (Brenda Chan), they were both physically and mentally weighed down. Husband Lau Choi (Ying To Li), with his unswerving affection, continues their journey to the other side of life as it vanish away.