Till Passow

Talking Money is an observational documentary shot at bank consultation tables all over the world. Weaving stories from eight countries into one global money conversation, it virtually transforms the cinema into a bank. Purely experiential! Who are we when we talk about money? Far from the glamour of distant Wall Street, this is the reality of personal banking, where one’s life problems become a matter of business. A heartfelt comment on capitalism revealing how the invisible power of money works on all of us, no matter who and where we are.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.

No synopsis available yet.

Talking Money is an observational documentary shot at bank consultation tables all over the world. Weaving stories from eight countries into one global money conversation, it virtually transforms the cinema into a bank. Purely experiential! Who are we when we talk about money? Far from the glamour of distant Wall Street, this is the reality of personal banking, where one’s life problems become a matter of business. A heartfelt comment on capitalism revealing how the invisible power of money works on all of us, no matter who and where we are.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.

No synopsis available yet.

A street singer living on the obscure fringes of the L.A. subculture, in early 1968, Wild Man would sing anyone an original song for a dime. He offered these improvised and somewhat off-key ditties to anybody who'd listen.