Maya Annik Bedward

From the flickering screens of Hollywood horror, to the haunted cane fields of colonial Haiti, Black Zombie unearths the buried origins of the zombie, reclaiming it as a symbol of survival and spiritual resistance.

Patty vs. Patty tells the story of Toronto’s bizarre 1985 “patty wars,” when Jamaican-Canadian bakers went head-to-head with the federal government over the name of their beloved beef patty.

From the flickering screens of Hollywood horror, to the haunted cane fields of colonial Haiti, Black Zombie unearths the buried origins of the zombie, reclaiming it as a symbol of survival and spiritual resistance.

From the flickering screens of Hollywood horror, to the haunted cane fields of colonial Haiti, Black Zombie unearths the buried origins of the zombie, reclaiming it as a symbol of survival and spiritual resistance.

From the flickering screens of Hollywood horror, to the haunted cane fields of colonial Haiti, Black Zombie unearths the buried origins of the zombie, reclaiming it as a symbol of survival and spiritual resistance.

Patty vs. Patty tells the story of Toronto’s bizarre 1985 “patty wars,” when Jamaican-Canadian bakers went head-to-head with the federal government over the name of their beloved beef patty.