Ariane Mnouchkine

Directing

Ariane Mnouchkine

Born

1939-03-03 (87)

Place of birth

Boulogne-Billancourt, Seine [now Hauts-de-Seine], France

Known for

Directing

Credits

24 titles

Ariane Mnouchkine (born 3 March 1939) is a French stage director. She founded the Parisian avant-garde stage ensemble Théâtre du Soleil in 1964. She wrote and directed 1789 (1974) and Molière (1978), and directed La Nuit Miraculeuse (1989). She holds a Chair of Artistic Creation at the Collège de France, an Honorary Degree in Performing Arts from the University of Rome III, awarded in 2005 and an Honorary Doctor of Letters from Oxford University, awarded 18 June 2008. Ariane Mnouchkine is the daughter of Jewish Russian film producer Alexandre Mnouchkine and June Hannen (daughter of Nicholas Hannen). Mnouchkine's paternal grandparents, Alexandre and Bronislawa Mnouchkine, were both deported …

Known for

Film credits

2020s · 4 titles

2010s · 4 titles

Strehler: Il mago dei prodigi poster
NR

An eulogy to Giorgio Strehler, the first real director in the italian theatre. He was a master, knowing all aspects of the show, from the set techniques up to narrative influences. The documentary tells the personal life and the artistic career: it starts from that Christmas day in 1997, when the news broadcasts opened with the news of Strehler's death, to summarize the story of the Piccolo Teatro, the first municipal theatre in Italy.

Strehler: Il mago dei prodigi

2017

Lepage au Soleil: The origin of Kanata poster
NR

In the spring of 2016, for the first time in 54 years, Ariane Mnouchkine entrusts her troupe, the Théâtre du Soleil, to another director. Robert Lepage then embarks on the creation of Kanata, a work that imagines the meeting of Europeans with First Nations people in Canada over two centuries. Lepage au Soleil: The origin of Kanata shows how, the 36 comedians from 11 different countries, discover in their own stories astonishing resonance with those of the natives. How, inspired by the cosmopolitanism of comedians, Robert Lepage tries to get them to talk about their own stories through those of the natives. The documentary plunges into the heart of a theatrical creation in search of universality turned upside down by a media scandal even before its premiere.

Lepage au Soleil: The origin of Kanata

2019

Au Soleil même la nuit poster
NR

This is a film about the rehearsing of Molière's 'Tartuffe' in 1995. Working handheld or with a stand for up to 12 hours a day, cameraman Eric Darmon became so much part of the landscape that he had a totally free hand in documenting the play's gestation, complete with director Ariane Mnouchkine's instructions, urgings and moments of uncertainty. Every action, decision, and all the tensions, elation, gaffes and bouts of craziness were filmed as they happened. And then along came editor Catherine Vilpoux, faced with 580 hours of rushes and a titanic exercise in viewing, sorting, selecting and assembling. Gradually the film took shape a shape that reflects the Théâtre du Soleil's commitment to finding the right theatrical form. Ultimately, is this a film about stage directing? About a troupe of actors? About the way actors work? About how an actor is born? About the learning process? The teaching process? The theatre? Life? Probably all of that. And an unparalleled work of its kind.

Au Soleil même la nuit

2012

No artwork available
NR

Interviews with crew and cast from "That Man from Rio".

Les Aventures d'Adrien: L'Affaire Catalan

2013

2000s · 1 titles

Series credits

Behind the camera

That Man from Rio poster
7.3

French military man Adrien Dufourquet gets an eight-day furlough to visit his fiancée, Agnès. But when he arrives in Paris, he learns that her late father's partner, museum curator Professor Catalan, has just been kidnapped by a group of Amazon tribesmen who have also stolen a priceless statue from the museum. Adrien and Agnès pursue the kidnappers to Brazil, where they learn that the statue is the key to a hidden Amazon treasure.

That Man from Rio

1964

Molière poster
6.1

Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.

Molière

1978

Molière poster
6.1

Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.

Molière

1978

Les Éphémères poster
NR

No synopsis available yet.

Les Éphémères

2008

La nuit miraculeuse poster
7.0

To celebrate the bicentennial of the French revolution, an exposition of mannequins representing the deputies brought together in 1789 to discuss the Declaration of the rights of man, is held in the the French National Assembly. The mannequins come to life suddenly and are joined by other historical figures who fought for human rights.

La nuit miraculeuse

1989

Le dernier caravansérail (Odyssées) poster
NR

Le Dernier Caravanserail (Odyssées) is a series of stories, scraps of destinies, bits of the lives of men and women – of those "refugees", "illegals" and "migrants" who term themselves, with greater dignity, "travellers". This is a veritable ocean of time-battered odysseys, sometimes heroic, sometimes commonplace, and always dramatic. Initially a work for the theatre, Le Dernier Caravanserail (Odyssées) is now a film. A whole new artistic adventure using the cinema to bring even greater depth to the virtually inexhaustible original material, and intended above all to keep the promise made to those whose stories we are telling: to give them a hearing.

Le dernier caravansérail (Odyssées)

2006

The Castaways of the Fol Espoir poster
6.2

A film-crew in the early twentieth century, the cabaret known as ‘Le Fol Espoir’ has been transformed into an amateur soundstage. The motion picture tells the story of a ship and its passengers – from the famous opera singer down to the petty criminal. The film is an optimistic political fable intended to educate the masses. There’s comedy aplenty – slapstick punches, custard pies and gags reminiscent of Buster Keaton and Fatty Arbuckle; there’s adventure, high drama moments of great bravura , and passionate love stories. The filming begins on June 28th 1914, the day of the Archiduke Franz Ferdinand’s assassination in Sarajevo, the gunpowder that sets Europe alight. It ends with news of another assassination – that of Jean Jaures on July 31st followed by the general conscription of August 1st, heralded by church bells across France. The allegory of the shipwreck is filmed at breakneck pace during the last five weeks before war breaks out.

The Castaways of the Fol Espoir

2014

The Flood Drummers poster
10.0

Based on the play by Hélène Cixous, filmed in 2002, Tambours sur la Digue is a story written by Hélène Cixous based on an ancient Asian fable about who shall be saved during a flood and presented by live actors as puppets and puppeteers, evoking the theatrical traditions of Japanese Noh and bunraku.

The Flood Drummers

2003

The Flood Drummers poster
10.0

Based on the play by Hélène Cixous, filmed in 2002, Tambours sur la Digue is a story written by Hélène Cixous based on an ancient Asian fable about who shall be saved during a flood and presented by live actors as puppets and puppeteers, evoking the theatrical traditions of Japanese Noh and bunraku.

The Flood Drummers

2003

1789 poster
7.1

Recording of the play 1789, a collective creation by Théâtre du Soleil at La Cartoucherie de Vincennes in 1970, edited from several shows.

1789

1974

1789 poster
7.1

Recording of the play 1789, a collective creation by Théâtre du Soleil at La Cartoucherie de Vincennes in 1970, edited from several shows.

1789

1974

Au Soleil même la nuit poster
NR

This is a film about the rehearsing of Molière's 'Tartuffe' in 1995. Working handheld or with a stand for up to 12 hours a day, cameraman Eric Darmon became so much part of the landscape that he had a totally free hand in documenting the play's gestation, complete with director Ariane Mnouchkine's instructions, urgings and moments of uncertainty. Every action, decision, and all the tensions, elation, gaffes and bouts of craziness were filmed as they happened. And then along came editor Catherine Vilpoux, faced with 580 hours of rushes and a titanic exercise in viewing, sorting, selecting and assembling. Gradually the film took shape a shape that reflects the Théâtre du Soleil's commitment to finding the right theatrical form. Ultimately, is this a film about stage directing? About a troupe of actors? About the way actors work? About how an actor is born? About the learning process? The teaching process? The theatre? Life? Probably all of that. And an unparalleled work of its kind.

Au Soleil même la nuit

2012