Rafał Dziemidok

On the surface "The Swap" appears to parody a scene from a classic gangster film of covert dodgy dealings, yet Rosefeldt's manipulation thrusts it into contemporary reality. Set at a deserted container terminal, two rival mobs pull up in cars, about to perform the familiar briefcase exchange of concealed goods. Clad in leather, guns poised; Rosefeldt plays once again with our stereotypical expectations, luring the viewer into a sense of familiarity until an unpredictable turn challenges our perception and exacerbates seemingly subtle aspects of their behaviour.

Things go horribly wrong for Ola and her friends when she tries to help journalist Agata find an interesting subject for an article. Placing a personal ad in the newspaper inadvertently invites the attention of a dangerous person who's now stalking them all, apparently in desperation to know their blood types.