Mário Cunha

In the mid-1940s, in a Portugal mired in poverty and illiteracy, a group of boys work in the potteries of Alhandra, on the coast, collecting clay to make tiles and bricks. Gineto, Sagui, Malesso, Guedelhas and Gaitinhas form strong friendships and bonds of camaraderie, while dreaming of other places and embarking on liberating adventures, facing the harshness of work, the daily dramas of family life, hunger, abuse and injustice with courage, rebellion and determination. In the end, their unity always prevails in a world of adults who do not understand them.

After a lifetime apart, two childhood friends reunite, now widowed and elderly, in the village where they grew up. As they try to resolve past disagreements, they deal with their families' decision to place them in a nursing home. Knowing that they are nearing the end of their lives, the two friends strive to fulfill their old promise to stay together forever.

Oliveira do Hospital, 1995. A screenwriter looking for inspiration, a failed actor trying to get back into the spotlight, and a suitcase full of cash hidden in a chimney. These are the ingredients of Serpentina, whose characters, while trying to make a movie, find themselves in a gangster film they don't know how to get out of. This film is part of the Contado Por Mulheres (Told by Women) project. This is a unique project in Portuguese audiovisual media that brings us the freshness of new female directors, all from different generations and recognized for their talent in various areas such as cinema, theater, dance, and advertising.

Miranda do Corvo, 1933. Tomé, a young worker haunted by guilt over his betrayal, is chosen by his colleagues for an important mission in the union's struggle against the Estado Novo. Faced with this moral challenge, he confronts not only the real dangers of police repression, but also his own demons.

In a small Portuguese village in the late 1960s, a young priest sides with the population in their struggle for better living and working conditions. Following complaints from the industrialist who employs most of the village's population, the bishop decides to transfer the priest to another parish. When the people learn of his forced departure, they revolt and unite to prevent the priest from leaving the village.

A respectable family falls into crisis when their extensive apple orchard is ruined. Delgado, a wealthy industrialist from the North, has just arrived in the village, apparently with good intentions. Desperate to keep up appearances, the Major and D. Lúcia introduce him to their innocent and eccentric daughter, Cilinha, who is only interested in her singing lessons. They entice him with the prospect of a rich dowry, but they are unaware that Delgado is not quite who he appears to be...

In the mid-1940s, in a Portugal mired in poverty and illiteracy, a group of boys work in the potteries of Alhandra, on the coast, collecting clay to make tiles and bricks. Gineto, Sagui, Malesso, Guedelhas and Gaitinhas form strong friendships and bonds of camaraderie, while dreaming of other places and embarking on liberating adventures, facing the harshness of work, the daily dramas of family life, hunger, abuse and injustice with courage, rebellion and determination. In the end, their unity always prevails in a world of adults who do not understand them.

After a lifetime apart, two childhood friends reunite, now widowed and elderly, in the village where they grew up. As they try to resolve past disagreements, they deal with their families' decision to place them in a nursing home. Knowing that they are nearing the end of their lives, the two friends strive to fulfill their old promise to stay together forever.

Oliveira do Hospital, 1995. A screenwriter looking for inspiration, a failed actor trying to get back into the spotlight, and a suitcase full of cash hidden in a chimney. These are the ingredients of Serpentina, whose characters, while trying to make a movie, find themselves in a gangster film they don't know how to get out of. This film is part of the Contado Por Mulheres (Told by Women) project. This is a unique project in Portuguese audiovisual media that brings us the freshness of new female directors, all from different generations and recognized for their talent in various areas such as cinema, theater, dance, and advertising.

Miranda do Corvo, 1933. Tomé, a young worker haunted by guilt over his betrayal, is chosen by his colleagues for an important mission in the union's struggle against the Estado Novo. Faced with this moral challenge, he confronts not only the real dangers of police repression, but also his own demons.

In a small Portuguese village in the late 1960s, a young priest sides with the population in their struggle for better living and working conditions. Following complaints from the industrialist who employs most of the village's population, the bishop decides to transfer the priest to another parish. When the people learn of his forced departure, they revolt and unite to prevent the priest from leaving the village.

A respectable family falls into crisis when their extensive apple orchard is ruined. Delgado, a wealthy industrialist from the North, has just arrived in the village, apparently with good intentions. Desperate to keep up appearances, the Major and D. Lúcia introduce him to their innocent and eccentric daughter, Cilinha, who is only interested in her singing lessons. They entice him with the prospect of a rich dowry, but they are unaware that Delgado is not quite who he appears to be...

On one side, a bunch of crooks. On the other, two sisters. Nothing unites them except an idea: to relieve the bank account of an old man, who happens to be the sisters' father. The crooks devise a plan to gain his trust and swindle him. The sisters make plans for the last years of their father's life without neglecting the small detail of the inheritance. Each one in their own way, they all dream of the possibilities that the old man's money could bring them. But this one will not be easy prey.

The story of Luizinha, a girl born into a very poor family who is given by her father to António, the richest man in town, to raise her. But the death of his wife leads António to marry Berta for the second time, and it soon becomes clear that the large family home is too small to accommodate both Luizinha and her stepmother. At the height of the conflict, António defends his daughter and Berta files for a contentious divorce. Shortly afterwards, she is found dead and António is accused of murder. But the truth that the court seeks to uncover may not be the most obvious one.

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When her husband dies, Dora Rosário, a woman trapped in the dark years of the Estado Novo, begins to live only for her daughter Lisa and for the memory of her deceased husband, who accompanies her daily. However, when she discovers that her husband was not who she thought he was, Dora questions her entire past and ventures out in search of a new life. But she will soon discover that mourning will not be as easy as she wants to believe.

Here we meet Leandro, a fisherman who leads an honest life until the day he kills a man who abuses his daughter. Forced to flee, he wanders through the countryside until he is taken in by João Senteiro, the elderly leader of a gang of thieves. Leandro joins the group and tries to save money to escape to Brazil. But when the regional administrator offers a reward for the capture of the gang, Leandro's sense of justice is put to the test once again.