Jan Doat

Télévision, oeil de demain predicted smartphones and video calling. The film was based on a premise from the science fiction author René Barjavel, called Cinema Total, 1944.

Two-sided painting of the German occupation in France: the acts of heroism of the maquis are opposed to the villainies of the profiteers and the drafts, all treated in the manner of the imagery of Épinal.