Martha Jean-Claude

In 1937, the young French engineer Jo Dupuche landed a job in Ecuador, with the promise of a better life. While he stops on a Caribbean island, he discovers that the mine where he was hired has gone bankrupt and finds himself penniless. Trapped with his wife in the tropics, the couple must cope. While his wife finds work thanks to white settlers, Jo is housed in a ghetto where he forms a romantic relationship with a young prostitute. Shot on 35mm in Cuba at the end of the 1980s with all the constraints inherent to the country, this TV film paints an uncompromising picture of colonialism in line with the eponymous novel by Simenon (1934).

SIMPARELE is history interpreted through people's art. The film synthesizes the primary forms through which the Haitian people have expressed themselves in the centuries since the island's colonization by the French and the massive importation of African slaves to fuel its plantation economy. It is a composite of dance, theatrical tableaux, poetry, song, folk painting, legend and religious ritual. SIMPARELE acknowledges the powerful role which Afro-Haitian culture has played in these people's political struggle as both repository for people's history and the raw material from which that history can be reconstructed and transformed.

Pedro, a young black man born into a family of Haitians who emigrated to Cuba, returns to his town and notes the changes that the new times have brought.