Diego Bragà

War. Cleopatra and António lock themselves in the mausoleum while Brazil is recolonized. The word colonization comes to life and nature reacts to the destruction of the Earth from the desire for immortality. On the verge of his death, António asks for a “lullaby”. In a funeral mating dance, two historical and tyrannical characters dream, in the midst of war, of a non-binary policy of Love. In this de-colonial and queer rewriting of Shakespeare’s tragic play, Egypt is Brazil and Rome is Portugal.

War. Cleopatra and António lock themselves in the mausoleum while Brazil is recolonized. The word colonization comes to life and nature reacts to the destruction of the Earth from the desire for immortality. On the verge of his death, António asks for a “lullaby”. In a funeral mating dance, two historical and tyrannical characters dream, in the midst of war, of a non-binary policy of Love. In this de-colonial and queer rewriting of Shakespeare’s tragic play, Egypt is Brazil and Rome is Portugal.

Historically, the queer community has not been portrayed in mainstream culture as being capable of protecting children and young people. Yet my uncle Ricardo, himself an openly gay man, was the ultimate guardian of my childhood.

Historically, the queer community has not been portrayed in mainstream culture as being capable of protecting children and young people. Yet my uncle Ricardo, himself an openly gay man, was the ultimate guardian of my childhood.